CEA Critic, Volumes 48-49Department of English, Texas A&M University, 1985 |
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Página 60
... society most frequently employed by nineteenth- century novelists is the marriage relationship . Its usefulness as a pattern for society is obvious partly because of its clearly stereotyped roles . At the begin- ning of the nineteenth ...
... society most frequently employed by nineteenth- century novelists is the marriage relationship . Its usefulness as a pattern for society is obvious partly because of its clearly stereotyped roles . At the begin- ning of the nineteenth ...
Página 65
... society which marriage supposedly represents for Austen's audience is ironically treated . She under- cuts the theory that conventional marriages help to redeem society both by presenting only a very few such marriages and by ...
... society which marriage supposedly represents for Austen's audience is ironically treated . She under- cuts the theory that conventional marriages help to redeem society both by presenting only a very few such marriages and by ...
Página 127
... society and psyche , but of the unquenched source through which society is reborn . " Pozzo , the crazy landlord , has no conception of assisting his " society of ... likes " ; as his comments to Vladimir and Estragon reveal , he ...
... society and psyche , but of the unquenched source through which society is reborn . " Pozzo , the crazy landlord , has no conception of assisting his " society of ... likes " ; as his comments to Vladimir and Estragon reveal , he ...
Conteúdo
CRITIC | 2 |
William E Cain Theory and Practice in Contemporary Criticism | 3 |
Patricia A Johnson The Speculative Character of Poetry | 18 |
Direitos autorais | |
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Aeschylus American appears becomes beginning Blake called characters Christian continues course criticism culture David death describes desire Dickens dream edition English essay example existence experience fact fall father feel fiction figure final force give Gospel hand Hardy human imagination interpretation Jesus John kind language later letters light lines literary literature live London look Lost marriage meaning Milton mind misogyny narrative nature never NOTES novel passage past perhaps play poem poet poetic poetry political possible present Press question reader reading reality reference rhetoric says scene seems sense social society song story suggests tells theory things thought tion tradition truth turn understanding University vision voice whole woman women writing York