CEA Critic, Volumes 48-49Department of English, Texas A&M University, 1985 |
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Página 58
... look of tenderness than from this look of angry misery that seemed to place her in selfish isolation from him . ( 489 ) In this scene , the rule of fairness ( in the form of thinking of what " Lucy ex- pects " and that Lucy " would be ...
... look of tenderness than from this look of angry misery that seemed to place her in selfish isolation from him . ( 489 ) In this scene , the rule of fairness ( in the form of thinking of what " Lucy ex- pects " and that Lucy " would be ...
Página 95
... Look Homeward . Maxwell Perkins , recalling the 1929 work on the O Lost manuscript , " had never had an author who gave such a sense of creating a universe ex nihilo , as in the first book of Genesis . " 20 Wolfe's use of omniscient ...
... Look Homeward . Maxwell Perkins , recalling the 1929 work on the O Lost manuscript , " had never had an author who gave such a sense of creating a universe ex nihilo , as in the first book of Genesis . " 20 Wolfe's use of omniscient ...
Página 97
... Look Homeward , Angel balances Chapter XL and speaks personally for Wolfe and generally to the reader . Wolfe's obsession with the autobiographical act carries over from fact to fiction . We have already seen that in his address " To ...
... Look Homeward , Angel balances Chapter XL and speaks personally for Wolfe and generally to the reader . Wolfe's obsession with the autobiographical act carries over from fact to fiction . We have already seen that in his address " To ...
Conteúdo
CRITIC | 2 |
William E Cain Theory and Practice in Contemporary Criticism | 3 |
Patricia A Johnson The Speculative Character of Poetry | 18 |
Direitos autorais | |
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Aeschylus American appears becomes beginning Blake called characters Christian continues course criticism culture David death describes desire Dickens dream edition English essay example existence experience fact fall father feel fiction figure final force give Gospel hand Hardy human imagination interpretation Jesus John kind language later letters light lines literary literature live London look Lost marriage meaning Milton mind misogyny narrative nature never NOTES novel passage past perhaps play poem poet poetic poetry political possible present Press question reader reading reality reference rhetoric says scene seems sense social society song story suggests tells theory things thought tion tradition truth turn understanding University vision voice whole woman women writing York