The Raven and the Lark: Lost Children in Literature of the English RenaissanceBucknell University Press, 1985 - 228 páginas The lost child plot, which appears in the work of virtually every major author of the English Renaissance, is examined in this study of a wide variety of the literature of that period. |
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... voice . While the missing past of the plot reflects prevailing social at- titudes , the missing future in an author's variations reveals his private poetic phi- ( Continued on back flap ) 8x8 Wild Folk Family , engraving by Master BXG .
... voice . While the missing past of the plot reflects prevailing social at- titudes , the missing future in an author's variations reveals his private poetic phi- ( Continued on back flap ) 8x8 Wild Folk Family , engraving by Master BXG .
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... past can be taken away and its destiny thereby eliminated ; nothing will remain to verify an entire communal life led . In their darkness , these moments contrast to the natural course of events in the Bible . Normally , confirming an ...
... past can be taken away and its destiny thereby eliminated ; nothing will remain to verify an entire communal life led . In their darkness , these moments contrast to the natural course of events in the Bible . Normally , confirming an ...
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... past , recalling the green land of his parents ' beginnings : Look in thy glass , and tell the face thou viewest Now is the time that face should form another , Whose fresh repair if now thou not renewest , Thou dost beguile the world ...
... past , recalling the green land of his parents ' beginnings : Look in thy glass , and tell the face thou viewest Now is the time that face should form another , Whose fresh repair if now thou not renewest , Thou dost beguile the world ...
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O conteúdo desta página é restrito.
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O conteúdo desta página é restrito.
Conteúdo
13 | |
18 | |
Finders Keepers Preservation and the Legendary Foundling | 27 |
Finding and Losing Beaulté and Noblesse Adoption in Malorys Works | 40 |
Transformation in Sidneys Old Arcadia | 54 |
Spenserian Hesitation | 68 |
Two Irreconcilable Foundlings The Love Story and the Saint Story in Book 1 of The Faerie Queene | 70 |
Two Creations Succession and Generation in Books 3 through 5 of The Faerie Queene | 84 |
Earned Reprieve in The Comedy of Errors and Pericles | 133 |
The Dream of a Better Life in As You Like It and Antony and Cleopatra | 143 |
A Manly Loss | 158 |
Hamlets Story or The Childs Refusal to Man the Father | 159 |
A World Within Found Enclosure and Final Exposure in King Lear | 170 |
Becoming the Story in The Winters Tale | 178 |
Telling the Story in The Tempest | 192 |
The Findings of Loss | 202 |
Two Recreations Pastorellas Return and the Poets Emergence in Book 6 of The Faerie Queene | 96 |
Shakespearean Explorations | 107 |
Richard III and Genesis 4 | 108 |
Romeo Juliet and the Art of Naming Love | 117 |
A Womanly Discovery | 131 |
Notes | 204 |
Bibliography | 218 |
226 | |
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Termos e frases comuns
adoptive interlude Adriana Amoret Antony Antony and Cleopatra Artegall Arthur becomes begins believe Britomart Cain Calidore canto characters Cleopatra Comedy of Errors Cordelia cycle death Demeter desire destiny dream Duessa dynasty earth earthly edited emerges Faerie Queene father fear Florizel flowers foundling plots foundling stories foundling theme future Genesis gods Hamlet Hermione heroes initial King King Lear Launcelot Le Morte d'Arthur Lear Leontes London lost child lovers Marina marriage Merlin Mordred mother Musidorus myth nature Old Arcadia once Ophelia origin Oxford parents past pastoral Pastorella Paulina Pellinor Perdita Pericles Persephone Philisides play poet Polixenes Princeton promise Prospero Pyrocles quest Red Cross Knight restoration Richard Richard III Romeo and Juliet Rosalind scene seeks sexual Shakespeare Shakespeare Our Contemporary Sidney's sonnet speech Spenser Strephon and Klaius Tempest thee thou tion transformation University Press unto Venus vision Winter's Tale
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Página 22 - I am in presence either of father or mother, whether I speak, keep silence, sit, stand, or go, eat, drink, be merry or sad, be sewing, playing, dancing, or doing anything else, I must do it, as it were, in such weight, measure, and number, even so perfectly as God made the world...