Visual Shakespeare: Essays in Film and TelevisionUniversity of Hertfordshire Press, 2002 - 198 Seiten This definitive collection of Graham Holderness' writings on Shakespeare in film and television is a unique resource for the study of Shakespeare in the media. The fact that film and television versions of Shakespeare are now accepted as a standard element of Shakespeare studies is due in no small part to the work collected in this volume. It covers Shakespeare in television and film through case studies of Henry V, Taming of the Shrew, and Romeo and Juliet. |
Inhalt
Bard on the Box 1985 1988 | 3 |
Shakespeare Rescheduled 1998 | 32 |
Shakespeare and Cinema 1985 1991 51 5599 | 51 |
Urheberrecht | |
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action actors adaptation aesthetic audience BBC/Time-Life broadcast camera Capulet Cedric Messina character Chorus cinema contemporary context conventions criticism cultural death devices director discourse drama dramatised Elizabethan stage Elizabethan theatre England English epic fantasy feud film treatment film version film's filmic Hamlet Henry Henry VI ideological interpretation Jonathan Miller Jorgens king Kurosawa literary literature London lovers Macbeth medium metanarrative Midsummer Night's Dream musical narrative naturalistic nature Olivier performance Peter Brook Petruchio pictorial play-text play's political popular potential production programme radical Radio realism reality recognised reconstruction Reinhardt's Renaissance Richard Richard II Romeo and Juliet scene screen sense sequence Shakespeare films Shakespeare on Film Shakespeare text Shakespeare's History Plays Shakespeare's play Shrew social society spectator story structure studio techniques tetralogy theatrical Throne of Blood Tillyard tion tradition Tybalt University Press visual West Side Story Wilson Knight Zeffirelli