Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
Im Buch
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Seite 153
... thought - never mind felt — through . The music of Petrarch is emulated , but little of his substance remains . Only in the couplet , when , in the manner of Wyatt , Surrey rejects the anguished penultimacy of his original ...
... thought - never mind felt — through . The music of Petrarch is emulated , but little of his substance remains . Only in the couplet , when , in the manner of Wyatt , Surrey rejects the anguished penultimacy of his original ...
Seite 220
... thought : he speaks now of " elevated thoughts " ( 95 ) and “ All thinking things , all objects of all thought " ( 101 ) . Or , in terms of sensory percep- tion , Wordsworth is now attaining to a new synthesis : " the mighty world / Of ...
... thought : he speaks now of " elevated thoughts " ( 95 ) and “ All thinking things , all objects of all thought " ( 101 ) . Or , in terms of sensory percep- tion , Wordsworth is now attaining to a new synthesis : " the mighty world / Of ...
Seite 329
... thought , " magically overheard . " Henry's thought , voiced , is not without its considerable ironies . " I say that sound you hear is the sea , we are sitting on the strand , " announces Henry to the summoned presence of a silent ...
... thought , " magically overheard . " Henry's thought , voiced , is not without its considerable ironies . " I say that sound you hear is the sea , we are sitting on the strand , " announces Henry to the summoned presence of a silent ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats