Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
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Seite 104
... references to Helen and to her position among the Trojans as cause and continuing pretext for the war . An audience must invariably speculate whether she is a theme for honour and renown or a whore.12 Audiences may do so but they also ...
... references to Helen and to her position among the Trojans as cause and continuing pretext for the war . An audience must invariably speculate whether she is a theme for honour and renown or a whore.12 Audiences may do so but they also ...
Seite 154
... reference , these texts cannot com- municate their ' imitative ' complexity . More recent , new histori- cist attempts to relate them to ' the discourse of patronage ' ( was there only one ? ) , and other modes of cultural circulation ...
... reference , these texts cannot com- municate their ' imitative ' complexity . More recent , new histori- cist attempts to relate them to ' the discourse of patronage ' ( was there only one ? ) , and other modes of cultural circulation ...
Seite 358
... references to the novels of the trilogy will be to this edition , specified by the abbreviation M , MD , or U. 14 . I ... reference to Murphy or his pieces ; see ' Murphy's Surrender to Symmetry ' , Journal of Beckett Studies , 11/12 ...
... references to the novels of the trilogy will be to this edition , specified by the abbreviation M , MD , or U. 14 . I ... reference to Murphy or his pieces ; see ' Murphy's Surrender to Symmetry ' , Journal of Beckett Studies , 11/12 ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats