Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
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Seite 306
... possible , as Richard Taylor has suggested , that Yeats picked up some ideas from the play Yōrō by Zeami which was among the unpublished Fenollosa papers . It is possible , and yet I think we must admit if we are to be honest that the ...
... possible , as Richard Taylor has suggested , that Yeats picked up some ideas from the play Yōrō by Zeami which was among the unpublished Fenollosa papers . It is possible , and yet I think we must admit if we are to be honest that the ...
Seite 321
... possible to respond to Rockaby without an awareness of its ghostly background , as it is possible to read all Beckett's works without an awareness of ghostly echoes of Dante , Shakespeare , and the Bible , paramount among many oth- ers ...
... possible to respond to Rockaby without an awareness of its ghostly background , as it is possible to read all Beckett's works without an awareness of ghostly echoes of Dante , Shakespeare , and the Bible , paramount among many oth- ers ...
Seite 353
... possible , losing with- out the possibility of resumption . This kind of playing is indeed ' slow work ' , as Hamm says ( CDW , 97 ) . But there nevertheless remains a margin of risk , or free play in Endgame's bitter work of ending ...
... possible , losing with- out the possibility of resumption . This kind of playing is indeed ' slow work ' , as Hamm says ( CDW , 97 ) . But there nevertheless remains a margin of risk , or free play in Endgame's bitter work of ending ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats