Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
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Seite 226
... mind at its centre . The emphasis is on “ a mighty mind ” rather than on “ the mighty world / Of eye , and ear ” ( “ Tintern Abbey " , 105-6 ) . The spatial image representing the merging of the finite with the infinite— the sea of mist ...
... mind at its centre . The emphasis is on “ a mighty mind ” rather than on “ the mighty world / Of eye , and ear ” ( “ Tintern Abbey " , 105-6 ) . The spatial image representing the merging of the finite with the infinite— the sea of mist ...
Seite 229
... mind : the nadir of apathy , fear , despondency , despair , anxiety , etc. , on the one hand , and , on the other , the almost trance - like state of his mind at the moment of his feeling love towards the water - snakes . In this poem ...
... mind : the nadir of apathy , fear , despondency , despair , anxiety , etc. , on the one hand , and , on the other , the almost trance - like state of his mind at the moment of his feeling love towards the water - snakes . In this poem ...
Seite 233
... mind . of a being of vivid imagination Hamlet beheld external objects in the same way that a man < of vivid imagination > who shuts his eyes , sees what has previously made some an impression ... minds like Hamlet's- the The Mind's Abyss 233.
... mind . of a being of vivid imagination Hamlet beheld external objects in the same way that a man < of vivid imagination > who shuts his eyes , sees what has previously made some an impression ... minds like Hamlet's- the The Mind's Abyss 233.
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats