Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
Im Buch
Ergebnisse 1-3 von 58
Seite 58
... less as members of a supporting cast than as members of an audience to be unceremoniously dragged on stage to act as stooges and fall - guys . Hogging the limelight is the only way the Richards know how to act . But in fact — and this ...
... less as members of a supporting cast than as members of an audience to be unceremoniously dragged on stage to act as stooges and fall - guys . Hogging the limelight is the only way the Richards know how to act . But in fact — and this ...
Seite 154
... less at the outset ( both in the 1609 order- ing and , it would seem , 28 chronologically ) , to a letter in De conscribendis epistolis which expounds that model of father - son re- semblance which Seneca and Petrarch have taught us to ...
... less at the outset ( both in the 1609 order- ing and , it would seem , 28 chronologically ) , to a letter in De conscribendis epistolis which expounds that model of father - son re- semblance which Seneca and Petrarch have taught us to ...
Seite 386
... ( Less sure . ) Not at all ! ( Still less sure . ) Not at all . ” And we are not always certain that Vladimir and Estragon themselves are independent entities . Each act ends with " Yes , let's go , ” followed by the stage direction ...
... ( Less sure . ) Not at all ! ( Still less sure . ) Not at all . ” And we are not always certain that Vladimir and Estragon themselves are independent entities . Each act ends with " Yes , let's go , ” followed by the stage direction ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats