Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
Im Buch
Ergebnisse 1-3 von 58
Seite 135
... Give my love fame faster than time wasts life ; So thou prevent'st his sieth , and crooked knife . ( 100. 13-14 ) Shakespeare's entire sequence , which breaks at $ 126 , always gives the reader a wider perspective than that of the ...
... Give my love fame faster than time wasts life ; So thou prevent'st his sieth , and crooked knife . ( 100. 13-14 ) Shakespeare's entire sequence , which breaks at $ 126 , always gives the reader a wider perspective than that of the ...
Seite 155
... give away yourself keeps yourself still , And you must live drawn by your own sweet skill . When Shakespeare writes ... gives way to an inner generation of the other which makes the poet father the youth — that object of address and ...
... give away yourself keeps yourself still , And you must live drawn by your own sweet skill . When Shakespeare writes ... gives way to an inner generation of the other which makes the poet father the youth — that object of address and ...
Seite 257
... give them abstract authority ( in 1927 and 1938 re- spectively ) ; just as it took a mathematician to give the idea of infinity its most powerful expression in the 1890s . But for now , let's keep to the familiar fin de siècle ...
... give them abstract authority ( in 1927 and 1938 re- spectively ) ; just as it took a mathematician to give the idea of infinity its most powerful expression in the 1890s . But for now , let's keep to the familiar fin de siècle ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
20 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats