Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
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Seite xii
... feel this when I read his English translations of Ryuichi Tamura's poems set to Tōru Takemitsu's music , to mention just one example from his wide- ranging oeuvre . Indeed , so long and so loud have I voiced my admiration for his ...
... feel this when I read his English translations of Ryuichi Tamura's poems set to Tōru Takemitsu's music , to mention just one example from his wide- ranging oeuvre . Indeed , so long and so loud have I voiced my admiration for his ...
Seite 39
... feel at the insur- mountable gap in knowledge between Othello and ourselves dur- ing the greater part of the play . It is a matter of course that , being an omniscient presence outside the world of the drama , the audience should know ...
... feel at the insur- mountable gap in knowledge between Othello and ourselves dur- ing the greater part of the play . It is a matter of course that , being an omniscient presence outside the world of the drama , the audience should know ...
Seite 231
... feeling . It resembles Wordsworth's sense of glory lost in the opening stanzas of the Immortality Ode , but Coleridge's dejection is far worse , in that he can “ see ” but cannot " feel " while Wordsworth can certainly " feel " though ...
... feeling . It resembles Wordsworth's sense of glory lost in the opening stanzas of the Immortality Ode , but Coleridge's dejection is far worse , in that he can “ see ” but cannot " feel " while Wordsworth can certainly " feel " though ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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actor aesthetic Antenor audience Austen beauty called Cambridge characters Coleridge Cowper Cressida critics culture dance death Derrida drama dream English erotic essay Estragon eyes fiction fin de siècle Forest ghosts Hamlet Hearn Helen Henry Henry VI Hero heroine human Imagination Japan Japanese John John Stow Jonson kind King Lady Gregory language lines Literature live London look means Michelangelo mind mirror modern nature never novel Othello Oxford Pause Penshurst performance Petrarch play poem poet political Pozzo Professor reader Renaissance Richard Richard II Samuel Beckett says scene seems sense sexual Shakespeare Shaw Shinshokan silence Sonnets sound speak speech spirit stage story Stow structure suggests theatre theatrical things tion Tokyo Troilus Trojan University of Tokyo University Press Unnamable Vladimir voice W. B. Yeats Waiting for Godot woman women words Wordsworth writing Yasunari Takahashi Yeats Yeats's Zeami