Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
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Seite 250
... comes to be as a woman to men and to other women ) , we wait about as long as does Edmund to be assured as he , Sir Thomas , and the narrator are that Edmund comes right at last and that Fanny's claims are overwhelming . If we think of ...
... comes to be as a woman to men and to other women ) , we wait about as long as does Edmund to be assured as he , Sir Thomas , and the narrator are that Edmund comes right at last and that Fanny's claims are overwhelming . If we think of ...
Seite 259
... comes the turn of the soul ; and with it comes . a literature in which the visible world is no longer a reality , and the unseen world no longer a dream " . For Symons , that was the inheritance of the 1890s . 6 I am sure each of us could ...
... comes the turn of the soul ; and with it comes . a literature in which the visible world is no longer a reality , and the unseen world no longer a dream " . For Symons , that was the inheritance of the 1890s . 6 I am sure each of us could ...
Seite 288
... come mysterious signals . An arm appears round the door , removing the branch of ' quicken wood ' placed there for protection ... comes in from the shadowy woods , like a goddess in a Noh play , expresses her difference by dancing . Once ...
... come mysterious signals . An arm appears round the door , removing the branch of ' quicken wood ' placed there for protection ... comes in from the shadowy woods , like a goddess in a Noh play , expresses her difference by dancing . Once ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats