Surprised by Scenes; Essays in Honour of Professor Yasunari Takahashi: シェイクスピアからベケットへTakada, Y. Kenkyusha, 1994 - 440 Seiten |
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Seite 70
... Hero is the hero of the play . We all know and love Beatrice and Dogberry very much indeed . I suspect , however , that for many viewers and readers Hero remains a passive and shadowy figure , more victim than hero . What happens , then ...
... Hero is the hero of the play . We all know and love Beatrice and Dogberry very much indeed . I suspect , however , that for many viewers and readers Hero remains a passive and shadowy figure , more victim than hero . What happens , then ...
Seite 75
... Hero is central to all of these scenes but not on stage in any of them . Everyone is talking about Hero , but , as was seen from the analysis of the boy - actor's role , she is not a presence . The next scene , I. iii , is yet another ...
... Hero is central to all of these scenes but not on stage in any of them . Everyone is talking about Hero , but , as was seen from the analysis of the boy - actor's role , she is not a presence . The next scene , I. iii , is yet another ...
Seite 76
... Hero's chronic embarrassment about speech , of way that in public she is stifled . the II . ii sees another conversation about Hero set up , as Borachio tells Don John to tell Don Pedro and Claudio that Hero loves him , Borachio . When ...
... Hero's chronic embarrassment about speech , of way that in public she is stifled . the II . ii sees another conversation about Hero set up , as Borachio tells Don John to tell Don Pedro and Claudio that Hero loves him , Borachio . When ...
Inhalt
Shakespeares Silences Frank Kermode | 16 |
Notes for a Psychodynamic | 27 |
The Grand Design of Shakespeares First History Plays | 41 |
Urheberrecht | |
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actor appears audience Beckett become begins body called century characters comes continued course Cressida critics culture death desire drama dream early English experience eyes fact feel figure finally Forest ghosts give given Godot Hamlet hand Henry Hero human idea Imagination important interest John Jonson kind King language later less Letters lines live London look matter means mind nature never once Pause performance perhaps play poem poet political possible present Press Professor question reader reference relation Richard says scene seems sense sexual Shakespeare silence Sonnets sound speak speech spirit stage story structure suggests tells theatre things thought tion turn University Vladimir voice Waiting whole woman women writing Yeats