SELECTED POETRY. THE CURE OF SAUL. A SACRED ODE. THE following Ode was published in 1763, and afterwards set to musick and performed as an Oratorio. The author was John Brown, a poet whose works are almost forgotten. In this ode he has attempted to express the various powers of that musick whereby the Israelitish shepherd charmed his unhappy prince. If it does not arise to the poetry and harmony of Dryden's St. Cecilia, it has, nevertheless, allowance being made for a few exceptions, no small degree of beauty and merit, and ranks with the most distinguisher ck compositions. "VENGEANCE, arise from ta, infernal bed ; The unchained furies come! Pale melancholy stalks from hell: Deep feels the fiend within his tortur'd breast. Before his eyes In troops they rise; And seas of horror overwhelm his soul. Wake the solemn sounding air, And lead the vocal choir : On every string soft breathing raptures dwell, Sunk on his couch, and loathing day, To the sad couch the shepherd now drew near; Thy pitying aid, O God impart ! For lo, thy poison'd arrows drink his heart! The mighty song from chaos rose.Around his throne the formless atoms sleep, And drowsy darkness broods upon the deep- Confusion, wake! Bid the realms of chaos shake! Rouse him from his dread repose! Hark! loud discord breaks her chain : The hostile atoms clash with deaf'ning roar : Her hoarse voice thunders through the drear domain; And kindles every element to war.— "Tumults, cease! "Sink to peace! "Let there be light!" th' Almighty said: And lo, the radiant sun, Flaming from his orient bed, His endless course begun. See, the twinkling pleiads rise : Thy star, Orion, reddens in the skies: Thy glories, too, refulgent moon, he sung Thy solemn orb of light Guides the triumphant car of night O'er silver clouds, and sheds a softer day! Ye planets, and each circling constellation, To heavenly sounds; And sooth his song enchanted ears In dumb surprise the list'ning monarch lay; Mus'd on the new born wonders of the sky. Lead the soothing verse along : He feels, he feels the power of sang Ocean hastens to his bed: The lab'ring mountain rears his rock encumber'd head‹ Down his steep and shaggy side The torrent rolls his thundering tide: Then smooth and clear, along the fertile plain The lark, high soaring, hails the morn. Heaven's own bliss on Eden's bower: Link'd with innocence and love. They paus'd :—the monarch, prostrate on his beď, Ador'd the works of boundless power divine : Then, anguish-struck, he cried (and smote his breast) Why, why is peace the welcome guest Of every heart but mine! Now let the solemn numbers flow, Heavenly harp, in mournful strain Hapless, hapless pair. Forlorn, through desert climes they go! When heaven is mov'd, and angels weep! Till he feel that guilt is woe. The king, with pride, and shame, and anguish torn, Shot fury from his eyes and scorn. The glowing youth, Bold in truth, (So still should virtue guilty powers engage) And, while the doom of guilt he sings, The forked lightnings flash along the ground. Why yawns that deep'ning gulf below?— 'Tis for heaven's rebellious foe : Fly, ye sons of Israel fly Who dwells in Korah's guilty tent must die! In dreadful tumult rise! Hark from the deep their loud laments I hear! They lessen now, and lessen on the ear! Now destruction's strife is o'er ! |