William Shakespeare, King LearSusan Bruce Columbia University Press, 1998 - 192 Seiten This Critical Guide helps students sift through and make sense of nearly three centuries of Lear criticism, providing insight into different assessments of the play's merit and its place within Shakespeare's work and the canon of English literature. Highlights include excerpts from the neoclassical and Romantic receptions of King Lear -- material from John Dryden, Samuel Johnson, Samuel Taylor Coleridge, and Victor Hugo -- and a discussion of recent and current trends in criticism of the play. |
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Seite 9
... speak longingly of a ' revolution against King Lear itself ' becomes , in Taylor's own terms , as meaningless as it would be to praise the play's virtues . It will seem to some readers perverse , even reactionary , to begin this volume ...
... speak longingly of a ' revolution against King Lear itself ' becomes , in Taylor's own terms , as meaningless as it would be to praise the play's virtues . It will seem to some readers perverse , even reactionary , to begin this volume ...
Seite 14
... speak to the ' anxieties and problems ' of the worlds from which they emerge , and the historical circumstances which surround the consideration of those problems and anxieties . And although King Lear has not always been ' the play in ...
... speak to the ' anxieties and problems ' of the worlds from which they emerge , and the historical circumstances which surround the consideration of those problems and anxieties . And although King Lear has not always been ' the play in ...
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Inhalt
NeoClassicism | 15 |
Romanticism | 48 |
Realism | 83 |
From Christianity to Chaos | 116 |
Contemporary Criticism of King Lear | 149 |
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Häufige Begriffe und Wortgruppen
A.C. Bradley action aesthetic argues attack audience blind Bradley Bradley's Brian Vickers century chapter character clown conception Coppélia Cordelia Cornwall daughters death Dickens Dover drama Edgar edition Edmund effect Empson essay express extract eyes father feeling feudal Foakes Fool Freud Garrick Gervinus Gloster Gloucester Gloucester's gods Goneril Guizot Hamlet heart historical Hugo human illusion Kent kind King Lear Kott L. C. Knights literary London mind moral motives nature Neo-Classical Orwell Oswald passion person play's poet poetic justice question reading of King reason renunciation representation represented reprinted role Romantic scene Schlegel seems sense Shakespeare Shakespeare Our Contemporary Shakespeare's plays Shakespearean tragedy social soul speak spectator speech stage suffering Swinburne Tate Tate's adaptation Tate's Lear theme theory thing thou tion Tolstoy Tolstoy's tragic unity universal Vickers Wheel of Fire whole William Shakespeare Wilson Knight women words writing