William Shakespeare, King LearSusan Bruce Columbia University Press, 1998 - 192 Seiten This Critical Guide helps students sift through and make sense of nearly three centuries of Lear criticism, providing insight into different assessments of the play's merit and its place within Shakespeare's work and the canon of English literature. Highlights include excerpts from the neoclassical and Romantic receptions of King Lear -- material from John Dryden, Samuel Johnson, Samuel Taylor Coleridge, and Victor Hugo -- and a discussion of recent and current trends in criticism of the play. |
Im Buch
Ergebnisse 1-5 von 29
Seite 6
... appears in the Folio collected works ( see the appendix to this book for a sample of these differences ) . The Quarto edition , for instance , contains 300 lines which do not appear in the Folio , the Folio 6 KING LEAR.
... appears in the Folio collected works ( see the appendix to this book for a sample of these differences ) . The Quarto edition , for instance , contains 300 lines which do not appear in the Folio , the Folio 6 KING LEAR.
Seite 7
Susan Bruce. which do not appear in the Folio , the Folio 100 absent from the Quarto . Act 4 , scene 3 , wherein is ... appears only in the Quarto version . The last lines of the play are given to Edgar in the Folio , and to Albany in ...
Susan Bruce. which do not appear in the Folio , the Folio 100 absent from the Quarto . Act 4 , scene 3 , wherein is ... appears only in the Quarto version . The last lines of the play are given to Edgar in the Folio , and to Albany in ...
Seite 12
... appears at a juncture in literary critical history wherein , perhaps for the first time since the height of Romanticism ( although for different reasons ) , King Lear has taken on a cultural precedence against which virtually all other ...
... appears at a juncture in literary critical history wherein , perhaps for the first time since the height of Romanticism ( although for different reasons ) , King Lear has taken on a cultural precedence against which virtually all other ...
Seite 16
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 28
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Inhalt
NeoClassicism | 15 |
Romanticism | 48 |
Realism | 83 |
From Christianity to Chaos | 116 |
Contemporary Criticism of King Lear | 149 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
A.C. Bradley action aesthetic argues attack audience blind Bradley Bradley's Brian Vickers century chapter character clown conception Coppélia Cordelia Cornwall daughters death Dickens Dover drama Edgar edition Edmund effect Empson essay express extract eyes father feeling feudal Foakes Fool Freud Garrick Gervinus Gloster Gloucester Gloucester's gods Goneril Guizot Hamlet heart historical Hugo human illusion Kent kind King Lear Kott L. C. Knights literary London mind moral motives nature Neo-Classical Orwell Oswald passion person play's poet poetic justice question reading of King reason renunciation representation represented reprinted role Romantic scene Schlegel seems sense Shakespeare Shakespeare Our Contemporary Shakespeare's plays Shakespearean tragedy social soul speak spectator speech stage suffering Swinburne Tate Tate's adaptation Tate's Lear theme theory thing thou tion Tolstoy Tolstoy's tragic unity universal Vickers Wheel of Fire whole William Shakespeare Wilson Knight women words writing