Creativity: Theory, History, PracticeRoutledge, 15.04.2005 - 370 Seiten Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organised in four parts:
Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or 're-creative' ways. Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be. |
Im Buch
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... Unconscious (1981) and Belsey in Critical Practice (1980). A problem only arises when the activity of what came to be called 'resistant reading' or 'brushing the text against the grain' (after Walter Benjamin and then Eagleton himself) ...
... unconscious, the affective ..." (p. 194), and concedes that 'The humanist is thus not wrong to trust to the possibility of universal values; it is just that nobody can yet say exactly what they would be, since the material conditions ...
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Inhalt
XXXVIII | 149 |
XXXIX | 151 |
XL | 155 |
XLI | 158 |
XLII | 163 |
XLIII | 164 |
XLIV | 168 |
XLV | 179 |
X | 35 |
XI | 37 |
XII | 38 |
XIII | 39 |
XIV | 41 |
XV | 45 |
XVI | 52 |
XVIII | 53 |
XIX | 57 |
XX | 60 |
XXI | 62 |
XXII | 65 |
XXIII | 70 |
XXIV | 78 |
XXV | 84 |
XXVI | 90 |
XXVII | 91 |
XXVIII | 99 |
XXIX | 116 |
XXX | 119 |
XXXI | 123 |
XXXII | 135 |
XXXIII | 137 |
XXXIV | 140 |
XXXV | 141 |
XXXVI | 143 |
XXXVII | 145 |
XLVI | 185 |
XLVIII | 191 |
XLIX | 192 |
L | 195 |
LI | 197 |
LII | 198 |
LIII | 203 |
LIV | 211 |
LV | 217 |
LVI | 230 |
LVII | 235 |
LVIII | 242 |
LIX | 248 |
LX | 253 |
LXI | 254 |
LXII | 258 |
LXIII | 261 |
LXIV | 262 |
LXV | 263 |
LXVI | 264 |
LXVII | 266 |
LXVIII | 269 |
LXIX | 271 |
LXX | 281 |
LXXI | 292 |