Printing History, Bände 18-22American Printing History Association, 1996 |
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... style , developed from Imperial chancery hands during the reign of Emperor Maximilian I. Its name is derived from the broken curves that distinguish many letters . Together , these four styles - textura , rotunda , schwabacher , and ...
... style , developed from Imperial chancery hands during the reign of Emperor Maximilian I. Its name is derived from the broken curves that distinguish many letters . Together , these four styles - textura , rotunda , schwabacher , and ...
Seite 7
... style ( e.g. roman ) and the size at which it was to be used ( e.g. canon and brevier ) . However , as typefaces ... styles , were often built up from an initial design . Likewise , speci- mens were often left undated , since they could ...
... style ( e.g. roman ) and the size at which it was to be used ( e.g. canon and brevier ) . However , as typefaces ... styles , were often built up from an initial design . Likewise , speci- mens were often left undated , since they could ...
Seite 18
... style ; in- deed , they are among the best examples of the genre . And yet they differ in many ways from the Aldine , as do Colines's italics and his Greek . If there is an alternate path toward the creation of the French old style ...
... style ; in- deed , they are among the best examples of the genre . And yet they differ in many ways from the Aldine , as do Colines's italics and his Greek . If there is an alternate path toward the creation of the French old style ...
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