Do the Americas Have a Common Literature?
Duke University Press, 1990 - 394 páginas
This volume takes an important step toward the discovery of a common critical heritage that joins the diverse literatures of North America and Latin America. Traditionally, literary criticism has treated the literature of the Americas as “New World” literature, examining it in relation to its “Old World”—usually European—counterparts. This collection of essays redirects the Eurocentric focus of earlier scholarship and identifies a distinctive pan-American consciousness.
The essays here place the literature of the Americas in a hemispheric context by drawing on approaches derived from various schools of contemporary critical thought—Marxism, feminism, culture studies, semiotics, reception aesthetics, and poststructuralism. As part of their search for a distinctly New World literary idiom, the contributors engage not only the major North American and Spanish American writers, but also such “marginal” or “minor” literatures as Chicano, African American, Brazilian, and Québecois. In identifying areas of agreement and confluence, this work lays the groundwork for finding historical, ideological, and cultural homogeneity in the imaginative writing of the Americas.
Contributors. Lois Parkinson Zamora, David T. Haberly, José David Saldívar, Antonio Benítez-Rojo, José Piedra, Doris Sommer, Enrico Mario Santí, Eduardo González, John Irwin, Wendy B. Faris, René Prieto, Jonathan Monroe, Gustavo Pérez Firmat
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It would be almost perverse to miss reading Sarmiento as Cooper's and
Franklin's and de Oro's Menard. If we had attempted respectfully to stabilize some
of his sources as Cooper's novels, Franklin's biography, and de Oro's life we
much his own reading of "The Purloined Letter" either owed directly to, or was
anticipated by, Borges's reading/rewriting of the Poe story in "Death and the
Compass." And certainly if Lacan had any misgivings, any anxiety about the
... future interpreter point out that just as Lacan and Derrida in reading the tale
replayed the game of even and odd in the critical register, so I have in reading
the tale replayed Lonnrot's geometrical response to Scharlach's quadrangular
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Cheek to Cheek
Modern U S and Latin American Fiction
David T Haberly
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