Do the Americas Have a Common Literature?Duke University Press, 1990 - 394 páginas This volume takes an important step toward the discovery of a common critical heritage that joins the diverse literatures of North America and Latin America. Traditionally, literary criticism has treated the literature of the Americas as "New World" literature, examining it in relation to its "Old World"--usually European--counterparts. This collection of essays redirects the Eurocentric focus of earlier scholarship and identifies a distinctive pan-American consciousness. The essays here place the literature of the Americas in a hemispheric context by drawing on approaches derived from various schools of contemporary critical thought--Marxism, feminism, culture studies, semiotics, reception aesthetics, and poststructuralism. As part of their search for a distinctly New World literary idiom, the contributors engage not only the major North American and Spanish American writers, but also such "marginal" or "minor" literatures as Chicano, African American, Brazilian, and Québecois. In identifying areas of agreement and confluence, this work lays the groundwork for finding historical, ideological, and cultural homogeneity in the imaginative writing of the Americas. Contributors. Lois Parkinson Zamora, David T. Haberly, José David Saldívar, Antonio Benítez-Rojo, José Piedra, Doris Sommer, Enrico Mario Santí, Eduardo González, John Irwin, Wendy B. Faris, René Prieto, Jonathan Monroe, Gustavo Pérez Firmat |
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Página 162
... original English ; they relied on foreign sources , mostly France , where , as Betsy Erkkila has recently shown , Whitman had an immense impact . " Alegría himself showed , in turn , that idealized French biographies of the " Good Gray ...
... original English ; they relied on foreign sources , mostly France , where , as Betsy Erkkila has recently shown , Whitman had an immense impact . " Alegría himself showed , in turn , that idealized French biographies of the " Good Gray ...
Página 226
... original undivided one , for a mythic absolute simplicity ? Inasmuch as Lönnrot's search for God's “ Secret Name ” ( 75 ) at the fourth point of the quad- rangle symbolizes this quest for an original undivided one , it is signif- icant ...
... original undivided one , for a mythic absolute simplicity ? Inasmuch as Lönnrot's search for God's “ Secret Name ” ( 75 ) at the fourth point of the quad- rangle symbolizes this quest for an original undivided one , it is signif- icant ...
Página 257
... original sin , as it is in part in Faulkner ( although we do get glimpses of greedy miners in the jungle , who bode ill for its future ) , but rather the relentless march of history and our necessary existence in time - also an ...
... original sin , as it is in part in Faulkner ( although we do get glimpses of greedy miners in the jungle , who bode ill for its future ) , but rather the relentless march of history and our necessary existence in time - also an ...
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Cheek to Cheek | 1 |
David T Haberly | 42 |
José David Saldívar | 62 |
Direitos autorais | |
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aesthetic Aimé Césaire Alegría Alejo Carpentier Amer American culture American literary American literature Argentine Borges Borges's Brossard Caribbean Carlos Fuentes Carpentier Carpentier's Cather Cecilia Césaire Césaire's character context Cooper critical Cuba Cuban Depestre Derrida dialectical discourse doubling Dupin essay European fact Facundo Faulkner Fernández Retamar fiction French Fuentes Fuentes's Gabriel García Márquez García Gustavo Pérez Firmat hermeneutic Indian Jorge Luis Borges José José Lezama Lima jungle Lacan land language Latin American legend Lezama literary history logic Lönnrot machine Martí means myth narrative narrator nature Neruda North American novel Octavio Paz original Ortega pasos perdidos past Paz's poem poet poetic poetry political Purloined Letter reader reading rhetorical rhythm Roberto Fernández Retamar romance Sarduy Sarduy's Sarmiento sense Severo Sarduy signifier Spanish structure suggests textual thought tradition trans translation University Press Vasseur Walt Whitman wilderness words writing York