Do the Americas Have a Common Literature?Duke University Press, 1990 - 394 páginas This volume takes an important step toward the discovery of a common critical heritage that joins the diverse literatures of North America and Latin America. Traditionally, literary criticism has treated the literature of the Americas as "New World" literature, examining it in relation to its "Old World"--usually European--counterparts. This collection of essays redirects the Eurocentric focus of earlier scholarship and identifies a distinctive pan-American consciousness. The essays here place the literature of the Americas in a hemispheric context by drawing on approaches derived from various schools of contemporary critical thought--Marxism, feminism, culture studies, semiotics, reception aesthetics, and poststructuralism. As part of their search for a distinctly New World literary idiom, the contributors engage not only the major North American and Spanish American writers, but also such "marginal" or "minor" literatures as Chicano, African American, Brazilian, and Québecois. In identifying areas of agreement and confluence, this work lays the groundwork for finding historical, ideological, and cultural homogeneity in the imaginative writing of the Americas. Contributors. Lois Parkinson Zamora, David T. Haberly, José David Saldívar, Antonio Benítez-Rojo, José Piedra, Doris Sommer, Enrico Mario Santí, Eduardo González, John Irwin, Wendy B. Faris, René Prieto, Jonathan Monroe, Gustavo Pérez Firmat |
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Página 19
... narrative strategies are more overtly experimental than hers . Though this earlier neglect or relegation is now being re- dressed by feminist criticism and by the current critical shift that I have noted toward historicist and ...
... narrative strategies are more overtly experimental than hers . Though this earlier neglect or relegation is now being re- dressed by feminist criticism and by the current critical shift that I have noted toward historicist and ...
Página 36
... narrative and textual renewal . The past is the sum of the narrative modifications and transformations of present consciousness , a sum which never decreases , which perpetually increases . If an Ortegan sense of the circumstantial ...
... narrative and textual renewal . The past is the sum of the narrative modifications and transformations of present consciousness , a sum which never decreases , which perpetually increases . If an Ortegan sense of the circumstantial ...
Página 80
... narrative produced in the 1940s by Borges and in the early 1950s by Carpentier soon rose to international prominence . According to Rodríguez Monegal , it was the new fiction " that projected Latin American literature onto the global ...
... narrative produced in the 1940s by Borges and in the early 1950s by Carpentier soon rose to international prominence . According to Rodríguez Monegal , it was the new fiction " that projected Latin American literature onto the global ...
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Cheek to Cheek | 1 |
David T Haberly | 42 |
José David Saldívar | 62 |
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aesthetic Aimé Césaire Alegría Alejo Carpentier Amer American culture American literary American literature Argentine Borges Borges's Brossard Caribbean Carlos Fuentes Carpentier Carpentier's Cather Cecilia Césaire Césaire's character context Cooper critical Cuba Cuban Depestre Derrida dialectical discourse doubling Dupin essay European fact Facundo Faulkner Fernández Retamar fiction French Fuentes Fuentes's Gabriel García Márquez García Gustavo Pérez Firmat hermeneutic Indian Jorge Luis Borges José José Lezama Lima jungle Lacan land language Latin American legend Lezama literary history logic Lönnrot machine Martí means myth narrative narrator nature Neruda North American novel Octavio Paz original Ortega pasos perdidos past Paz's poem poet poetic poetry political Purloined Letter reader reading rhetorical rhythm Roberto Fernández Retamar romance Sarduy Sarduy's Sarmiento sense Severo Sarduy signifier Spanish structure suggests textual thought tradition trans translation University Press Vasseur Walt Whitman wilderness words writing York