Do the Americas Have a Common Literature?
Duke University Press, 1990 - 394 páginas
This volume takes an important step toward the discovery of a common critical heritage that joins the diverse literatures of North America and Latin America. Traditionally, literary criticism has treated the literature of the Americas as “New World” literature, examining it in relation to its “Old World”—usually European—counterparts. This collection of essays redirects the Eurocentric focus of earlier scholarship and identifies a distinctive pan-American consciousness.
The essays here place the literature of the Americas in a hemispheric context by drawing on approaches derived from various schools of contemporary critical thought—Marxism, feminism, culture studies, semiotics, reception aesthetics, and poststructuralism. As part of their search for a distinctly New World literary idiom, the contributors engage not only the major North American and Spanish American writers, but also such “marginal” or “minor” literatures as Chicano, African American, Brazilian, and Québecois. In identifying areas of agreement and confluence, this work lays the groundwork for finding historical, ideological, and cultural homogeneity in the imaginative writing of the Americas.
Contributors. Lois Parkinson Zamora, David T. Haberly, José David Saldívar, Antonio Benítez-Rojo, José Piedra, Doris Sommer, Enrico Mario Santí, Eduardo González, John Irwin, Wendy B. Faris, René Prieto, Jonathan Monroe, Gustavo Pérez Firmat
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Wendy B. Faris Marking Space, Charting Time: Text and Territory in Faulkner's "
The Bear" and Carpentier's Los pasos perdidos . . . woods for game and streams
for fish, ... a refuge and sanctuary of liberty and freedom from what you called the
Both Faulkner's and Carpentier's texts are implicated in this European betrayal of
American reality: the use of European forms to tell of the land is analogous to the
usurpation of that land, and both authors work solidly and avowedly in the ...
See his "'The Bear': America Transcended," in Faulkner: A Collection of Critical
Essays, ed. Robert Perm Warren (Englewood Cliffs, N.J.: Prentice-Hall, 1966),
208. 26. Gustavo Perez Firmat has formulated another important difference
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Cheek to Cheek
Modern U S and Latin American Fiction
David T Haberly
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