The Outline of Literature1923 |
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Seite 301
... seen and heard in a theatre . No one , as a first step , wants to read an essay on Shakespeare , nor to study him in a class room , nor even to ponder him silently in a fireside armchair . The first process must tend to de - naturalise ...
... seen and heard in a theatre . No one , as a first step , wants to read an essay on Shakespeare , nor to study him in a class room , nor even to ponder him silently in a fireside armchair . The first process must tend to de - naturalise ...
Seite 303
... seen in the light of its possible staging , contributes to them . But the fact that the change was , up to a point , very rapid , and the probability that each theatre was structurally de- veloped to some extent upon the lines of its ...
... seen in the light of its possible staging , contributes to them . But the fact that the change was , up to a point , very rapid , and the probability that each theatre was structurally de- veloped to some extent upon the lines of its ...
Seite 304
... seen if a plan is drawn - necessarily led to the provision of other means of entrance , and two doors were placed at the side and back of the main stage . Side balconies were brought into use , too , so that the players in them could ...
... seen if a plan is drawn - necessarily led to the provision of other means of entrance , and two doors were placed at the side and back of the main stage . Side balconies were brought into use , too , so that the players in them could ...
Seite 314
... seen . Shakespeare's plays , little enough in use by the English Theatre of today , have in the past been much misused by it , and often are so still . There are reasons for this , if not good excuse . The suppression of the theatre by ...
... seen . Shakespeare's plays , little enough in use by the English Theatre of today , have in the past been much misused by it , and often are so still . There are reasons for this , if not good excuse . The suppression of the theatre by ...
Seite 315
... seen , the actors came upon the bare stage— were even , in a sense , supposed to be coming there and nowhere else — and with his verse and their acting did the rest . If then the reader is now brought to divide his attention between ...
... seen , the actors came upon the bare stage— were even , in a sense , supposed to be coming there and nowhere else — and with his verse and their acting did the rest . If then the reader is now brought to divide his attention between ...
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Addison beauty born Boswell Bunyan Burns Byron character Christian Coleridge comedy criticism death Diderot drama dramatist Dryden edition eighteenth century Elizabethan England English essay Everyman's Library eyes Falstaff famous father Faust French genius Gibbon Goethe Goethe's Goldsmith Gulliver's Travels hath heart Henry Horace Walpole human humour Jane Austen John Johnson Juliet Julius Cæsar Keats King Lady letters lines literary literature lived London Lord lyric Macbeth Milton mind Molière National Portrait Gallery nature never night novel o'er painting passion Pepys Photo Pilgrim's Progress play poems poet poetry prose published Puritan Reproduced by permission Rischgitz Collection Rousseau Samson Agonistes SAMUEL RICHARDSON satire says scene Shakespeare Shelley song soul spirit stage story style sweet Tatler theatre thee things thou thought tion verse vols Voltaire W. A. Mansell Walker Art Gallery wife William words Wordsworth writing written wrote