the last one in a commencing series, always requires the rising inflection, and the last in a closing series, if in a common affirmative sentence, the falling inflection.

NOTE 7. When a long list of single words, forms a commencing series, they may be divided from the right into periods or groups of three words each: the last period may be read according to the direction of Rule 3, and the others, according to Rule 4, and the odd particulars, agreeably to Rule 1. Eg. "Gold, silver', copper', iron, and lead', are abundant in various parts of the western continent."

"Cotton', coffee', sugar', rum', molasses', spices', fruits', and drugs', are the common products of the West-Indies.”

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Love, joy', peace', long-suffering', gentleness', goodness', faith', meekness, temperance', are the fruits of the spirit; and against such things there is no law."

NOTE 8. When a long list of particulars forms a concluding series, a similar division into periods may be applied to them, and each period may be read according to Rule 4, and odd particulars, agreeably to Rule 1: Eg. "The science of elocution is noble', refined', elegant', pleasing', and useful`, intricate', philosophical', and wonderful;" [but some of these rules are foolish, trifling', and unimportant.]

"The fruits of the spirit are love, joy', peace', long-suffering, gentleness', goodness', faith', meekness', temperance': against these there is no law."

COMPOUND SERIES.

A COMPOUND SERIES consists of two or more phrases or distinct members of a sentence, succeeding each other in a similar construction.

NOTE 1. When two or more phrases or members form a commencing, compound series, the last takes the rising inflection, and all the rest, the falling. Eg. "To advise the ignorant`, relieve the needy', comfort the afflicted', are duties that fall in our way almost every day of our lives."

The ignorance of the moderns', the scribblers of the age', and the decay of poetry', are the topicks of detraction with which a bard of our country makes his entrance into the world."

NOTE 2. When two or more members form a closing, compound series, they all adopt the falling inflection, except the penultimate or last member but one, and this should have the

rising: Eg. "Statues can last but a few thousand years', edifices fewer', and colours still fewer than edifices'."

A discreet and virtuous friend relieves the mind', improves the understanding', engenders new thoughts', awakens good resolutions', and furnishes employment for the most vacant hours in life."

Observation. This last Note is an important one; but this, the substance of the one preceding it, and of several others which occur under the head of the Simple Series, are comprehended in Rule 7, page 82.

SERIES OF SERIES.

The recurrence of two or more simple particulars, combined with two or more compound particulars, and all united in forming a series of a sentence, constitute what is termed a SERIES OF

SERIES.

NOTE. When several members occur which are composed of similar or opposite particulars, and are divided into couplets or triplets, they may be enunciated singly according to the appropriate rules of a simple series, but, as forming a whole compound series, agreeably to the rules applicable to the respective number and variety of compound particulars contained in the

sentence.

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EXAMPLES.

For I am persuaded that neither death', nor life', nor angels', nor principalities', nor powers', nor things present', nor things to come', nor height', nor depth, nor any other creature', shall be able to separate us from the love of God which is in Christ Jesus our Lord'."

"Those evil spirits who, by long custom, have contracted in the body habits of lust' and sensuality', malice' and revenge', and an aversion to every thing that is good', just', and laudable', are naturally seasoned and prepared for pain and misery`."

REMARKS.

This scheme of Mr. Walker's for arranging and classifying the various series of words, and of applying to them a systematick set of rules, certainly displays no little ingenuity, and cannot but be productive of some utility; but it is by no means a cause of regret to ascertain, on an examination of it, that

most parts of it have no better foundation than the vivid fancy and delicate taste of its inventor. Nature would have dealt out her favours with a parsimonious hand indeed, had she allowed the human voice no greater scope in inflecting the multifarious and insurpassable variety of forms of expression, and modes of intonation, which occur in our language, than that prescribed by Mr. Walker's rules.

But notwithstanding we may take great liberties with many of the foregoing rules which attempt to regulate the inflections proper to be given to a simple series of words, it must have been observed by the judicious reader of the preceding, general development of this intricate and delicate subject, that many of the rules given for the regulation of the inflections of the voice -such, for example, as those which appertain to the closing inflection of simple affirmative, negative, interrogative, and exclamatory sentences, as well as of declarative and conditional members of sentences, and so forth-have their foundation in the philosophy of vocal sounds and the principles of the language; and that, therefore, the laws which govern such inflections, are as unchangeable as the laws of the Medes and Persians. Some of these rules, it is true, have their exceptions; but even these exceptions are controlled by principles and circumstances that are easily revealed and explained. The amount of the matter is, then, that, in whatever light we view this subject, the leading rules, together with their exceptions, which tend to regulate the inflections of the voice, merit the particular attention of him who would excel in the science of elocution. But their great importance may be more strongly enforced by adducing a few examples in which it will appear, that a wrong inflection will totally pervert the sense.

QUESTIONS.

What does the term Series denote in elocution?

What are the three general divisions of the Series?

In pronouncing a succession of words, should the tones and modulations of the voice always be varied?

What is a Simple Series?-Repeat and explain Note 1.

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What is said in Observation 1, under the note? What, in Obs. 2?

Repeat and illustrate Note 2-also, the Observation under it.

What is Note 3 ?

How, according to the Observation, can the example under Note 3, be varied in its inflections ?-Illustrate those variations.

Repeat and explain Note 4.

What is the caution contained in the Observation on Note 4 ?

Repeat and illustrate Notes 5 and 6.

May the inflections applicable to the examples under these notes, also be varied from the prescribed form of the notes ?-Show wherein.

Repeat and explain Note 7.-Also, Note 8.
What is a Compound Series?

Can you illustrate Note 1, under it?

Illustrate Note 2, and repeat the Observation under it.
What constitutes a Series of Series?

Repeat the Note under this last head.

Show how it applies to the examples which follow it.

On what foundation rests Mr. Walker's scheme for inflecting the various series of words?

EXERCISES.

Reading and reflection' tend to expand the intellect'. Reading' and reflection' tend greatly to expand the intellect'. The intellectual powers are strengthened and expanded by reading' and reflection'.

Persecution', condemnation', and ridicule', awaited Galileo', Harvey', and Newton', for announcing three great physical discoveries'.

Persecution', condemnation', and ridicule', were the reward of Galileo', Harvey', and Newton', for announcing to the world three of the greatest discoveries in physical science'.

Persecution', condemnation', and ridicule', were lavished upon Galileo', Harvey', and Newton'.

Drs. Cullen', Gregory', Blumenbach', and Magendie', assert that the mental faculties are connected with the brain'.

Memory, imagination', judgment', and sentiment', may all be put to sleep by a few grains of a very common and simple drug'. There are four temperaments', accompanied by different degrees of activity in the brain--the lymphatick', the sanguine', the bilious', and the nervous':-or, the lymphatick', the sanguine', the bilious', and the nervous':-or, the lymphatick', the sanguine', the bilious', and the nervous'.

CIRCUMFLEX.

On page 67, the reader was informed, that,

When both the upward and the downward slides of the voice occur in pronouncing a syllable, they are denominated a Circumflex or Wave. It is represented by the following mark (^), which is commonly placed over a vowel; thus (a).

The upward and the downward slides of the voice sometimes extend to three or four variations on the same syllable; for which reason Dr. Rush has divided the circumflexes or waves into single, double, and continued; and subdivided them

again into equal, direct, inverted, unequal, direct_unequal, and inverted unequal. Although to the ordinary reader, these distinctions may be of little importance, yet some may be grat. ified with an illustration of them.

SINGLE, DOUBLE, AND CONTINUED WAVE.

When the voice rises and falls, or falls and rises, only once upon the same syllable, the movement is called a Single Wave. When the voice rises and falls, and rises again, or falls and rises, and falls again, on the same syllable, the movement is called a Double Wave.

When there are more than three parts to a circumflex, it is denominated a Continued Wave.

EQUAL, DIRECT, INVERTED WAVE, &C.

When the rise and fall of the voice on a syllable, are equal, the movement is called an Equal Wave.

When the voice rises first, and then falls, in an equal wave, the movement is denominated a Direct Equal Wave.

But when it falls first, and then rises, it is called an Inverted Equal Wave.

When the upward and the downward slides of the voice in a circumflex movement, are unequal, it is called an Unequal Wave. When the first part of an unequal circumflex, rises, it is denominated a Direct Unequal Wave.

When the first part of an unequal wave, falls, it is called an Inverted Unequal Wave.

ILLUSTRATION.

"Hâil! beauteous stranger of the wood."

If the word "hail," in this sentence, be uttered with a perceptible, downward ending, and with protracted or long quantity, though without emphasis, the movement of the voice will display the direct equal wave of a second, or an upward and downward slide of the voice through one tone.

High on a thrône of royal state."

If this line be pronounced in a similar manner, though with the rising inflection at the close of each word, it will exhibit the inverted equal wave of a second on the syllables “high," "throne," and "roy."

"I said he was my friend."

Let this sentence be slowly uttered, with long quantity, and such an emphasis upon "my" as to contrast it with your friend, and the word my will show the direct equal wave of