Discrepant Engagement: Dissonance, Cross-Culturality and Experimental WritingCambridge University Press, 24 de set. de 1993 - 313 páginas Discrepant Engagement addresses work by a number of authors not normally grouped under a common rubric--black writers from the United States and the Caribbean and the so-called Black Mountain poets. Nathaniel Mackey examines the ways in which the experimental aspects of their work advance a critique of the assumptions underlying conventional perceptions and practice. Arguing that the work of these writers engages the discrepancy between presumed norms and qualities of experience such norms fail to accommodate, Mackey highlights their valorization of dissonance, divergence and formal disruption. He advances a cross-cultural mix that is uncommon in studies of experimental writing, frequently bringing the works and ideas of the authors it addresses into dialogue and juxtaposition with one another, insisting that parallels, counterpoint and relevance to one another exist among writers otherwise separated by ethnic and regional boundaries. |
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Conteúdo
Acknowledgments page | 1 |
Black Music in the Poetry | 22 |
Robert Duncans The | 66 |
Century Suite | 88 |
Projective Prose | 104 |
The Graphic Aspect | 121 |
Edward Kamau Brathwaites | 139 |
IO Poseidon Dub Version | 180 |
Wilson Harriss The Eye of | 191 |
Omai | 214 |
On Edge | 260 |
Notes | 287 |
305 | |
Outras edições - Ver todos
Discrepant Engagement: Dissonance, Cross-Culturality and Experimental Writing Nathaniel Mackey Prévia não disponível - 2009 |
Termos e frases comuns
aesthetic African American Poetry Amiri Baraka animacy Ascent to Omai assertion Black Mountain Black Mountain poet black music Blues Brathwaite Brathwaite's calls Caribbean Charles Olson Clarence Major consciousness Continent conventional Creeley Creeley's critique cultural Dante duende Edward Kamau Edward Kamau Brathwaite essay example experience eyes Faber fact feeling Grove Press Harris's Hereafter referred human imagination impulse insistence jazz Kalapalo language Legba LeRoi Jones limp lines Major's margin meaning musicians myth narrator Negro notes noun novel passage phantom limb phrase play poem poet poetics Poseidon prose quoted Raven's Head reality recalls remarks Robert Creeley Robert Duncan Scarecrow self-reflexive sense Seventeenth Century Suite slave social song soul sound speak speech stance stone story stutter suggests symbol things thought tradition trilogy University Press verb vodun West Indian whole William Carlos Williams Williams Williams's Wilson Harris word world-poem writing York