Patterns and Perspectives in English Renaissance DramaUniversity of Delaware Press, 1988 - 309 páginas These essays bring attention to the designs that the English Renaissance playwrights imposed on their work. Among the patterns explored are those inspired by the literature, drama, or poetics of classical times and visual patterns derived from traditions of stage presentation. |
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Página 63
... true of the language is also true of the play as a whole ; compared to La Mort de Pompée , it offers a more varied theatrical experience . It has spectacle , humor , and a greater range of characterization , though every dramatic device ...
... true of the language is also true of the play as a whole ; compared to La Mort de Pompée , it offers a more varied theatrical experience . It has spectacle , humor , and a greater range of characterization , though every dramatic device ...
Página 123
... true society . " The distinction between " them " and " us " could not be more plain - except to the fools , who " perceive no such wonder in all that is done here , " and return to offer another rival show . This time they appear as ...
... true society . " The distinction between " them " and " us " could not be more plain - except to the fools , who " perceive no such wonder in all that is done here , " and return to offer another rival show . This time they appear as ...
Página 292
... true , so long , And with a finger of so deep a cunning , May be outworn , never undone . ( 1.3.41-44 ) She even wonders whether Theseus could decide between his love for her and his friendship for Pirithous . Emilia politely demurs ...
... true , so long , And with a finger of so deep a cunning , May be outworn , never undone . ( 1.3.41-44 ) She even wonders whether Theseus could decide between his love for her and his friendship for Pirithous . Emilia politely demurs ...
Conteúdo
Acknowledgments | 17 |
17 | 35 |
The Metamorphosis of Violence in Titus Andronicus | 41 |
Direitos autorais | |
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action actor admiration antimasque appears Aristophanes audience Barabas Bartholomew Fair Bassanes Ben Jonson Caesar called Cambridge ceremony characters Charalois classical comic Constance controversia court critics dance death deceivers declamation dramatic Dryden edition Edward Edward II effect Elizabethan Emilia emotional English essay Fatal Dowry feelings final Fletcher friendship Gaveston gives Henry hero heroic humor ideal imitation Inigo Jones Ithocles John Ford Jonson Jonsonian King John knight Knight's Tale ladies laughter Lavinia London lover Mad Lover Marlowe Marlowe's masque masquers means Memnon moral Mortimer Noble Kinsmen onstage Orgilus Ovid pattern Peniboy Penthea performed Plautus play playwright plot poetry political praise present Queen Renaissance reprinted revenge rhetorical romance satire says scene seems Shakespeare sort spectacle spectators speech stage direction Stephen Orgel story suggest Tamburlaine Tamora Terence theater theme Theseus tion Titus Andronicus Titus's tradition tragedy tragicomedy transformation translation triumph University Press words