Melodrama and Asian Cinema
Adjunct Fellow East-West Center Hawaii Scholar in Residence Wimal Dissanayake, Wimal Dissanayake, Dudley Andrew, William Rothman
Cambridge University Press, 28.05.1993 - 281 Seiten
Cinema is a dominant force in the lives of many people living in Asia, a continent that has a number of distinguished national film industries. A concept central to much of Asian film production is melodrama. This path-breaking study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines, and Australia. Exploring the various ways that melodrama operates with theoretical sophistication, the various essays contained in this volume shed light on the different traditions of Asian cinema, as well as on the wider cultural discourse in which they participate.
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Reflections on melodrama East and West
Melodrama postmodernism and Japanese cinema
The United States
Politics of melodrama in Indonesian cinema
The female body
What is American about film study
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