Motherhood and Representation: The Mother in Popular Culture and MelodramaRoutledge, 23 de jul. de 2013 - 268 páginas From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America. |
De dentro do livro
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... woman's film” in the silent era: Uncle Tom's Cabin; Herland; The Blot; The Crowd; Applause 8. THE “RESISTING” MATERNAL WOMAN'S FILM 1930–60. Arzner's Christopher Strong and Craig's Wife; Imitation of Life (1934 and 1959); Stella Dallas ...
... woman's film” in the silent era: Uncle Tom's Cabin; Herland; The Blot; The Crowd; Applause 8. THE “RESISTING” MATERNAL WOMAN'S FILM 1930–60. Arzner's Christopher Strong and Craig's Wife; Imitation of Life (1934 and 1959); Stella Dallas ...
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... Woman's Film from 1910–1940,” in C. Gledhill (ed.), (1987) Home is Where the Heart is: Studies in Melodrama and the Woman's Film, London: British Film Institute; “Discourses of the Mother in Postmodern Film and Culture,” Westerly: A ...
... Woman's Film from 1910–1940,” in C. Gledhill (ed.), (1987) Home is Where the Heart is: Studies in Melodrama and the Woman's Film, London: British Film Institute; “Discourses of the Mother in Postmodern Film and Culture,” Westerly: A ...
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... woman's subjective pleasures in mothering (apart from such pleasures taking place under the auspices of the Father or the state) has still not been adequately studied; nor has the possibility of a desire for the child for its own sake ...
... woman's subjective pleasures in mothering (apart from such pleasures taking place under the auspices of the Father or the state) has still not been adequately studied; nor has the possibility of a desire for the child for its own sake ...
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... woman's novel, as noted, have not been particularly interested in the theory of melodrama per se, or in locating the woman's novel within this aesthetic mode. Feminist film critics on the other hand have focused on melodrama precisely ...
... woman's novel, as noted, have not been particularly interested in the theory of melodrama per se, or in locating the woman's novel within this aesthetic mode. Feminist film critics on the other hand have focused on melodrama precisely ...
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... woman's film.” Chapters 7 and 8 analyze the “resisting” woman's form that is arguably in the tradition of nineteenth-century “domestic” feminism as embodied in Harriet Beecher Stowe's Uncle Tom's Cabin and as revolutionized by Charlotte ...
... woman's film.” Chapters 7 and 8 analyze the “resisting” woman's form that is arguably in the tradition of nineteenth-century “domestic” feminism as embodied in Harriet Beecher Stowe's Uncle Tom's Cabin and as revolutionized by Charlotte ...
Conteúdo
WOMENS WRITING MELODRAMA AND FILM | |
THE SACRIFICE PARADIGM Ellen Woods | |
THE PHALLIC MOTHER PARADIGM | |
THE RESISTING MATERNAL WOMANS FILM 193060 Arzners | |
Consumerism science | |
Notes | |
Bibliography | |
Names index | |
Outras edições - Ver todos
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Visualização parcial - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Prévia não disponível - 1992 |
Termos e frases comuns
American argue articulated baby Barbara body Carlyle Carlyle’s century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father female spectator feminine feminism feminist fiction figure film versions film’s focus foetus Freud Freudian gaze gender genre Handmaid’s Tale Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali object Oedipal patriarchal Peola phallic phallus play political popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau sexual social specific sphere Stella Dallas Stowe’s Symbolic terrain unconscious upper-class Voyager Weber woman woman’s Woman’s Film women York