Motherhood and Representation: The Mother in Popular Culture and MelodramaRoutledge, 23 de jul. de 2013 - 268 páginas From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America. |
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... theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in literary and film texts such as East Lynne, Uncle Tom's Cabin, Christopher Strong, Imitation of Life, Three Men and a Baby, and The ...
... theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in literary and film texts such as East Lynne, Uncle Tom's Cabin, Christopher Strong, Imitation of Life, Three Men and a Baby, and The ...
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... theories that I first tried out on them. I thank them for their patience and their intelligence in sometimes trying sessions on topics emotionally and intellectually difficult. I thank my colleagues in literature, film and ...
... theories that I first tried out on them. I thank them for their patience and their intelligence in sometimes trying sessions on topics emotionally and intellectually difficult. I thank my colleagues in literature, film and ...
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... Theories of Melodrama: A Feminist Perspective,” Women and Performance (1983) 1(1): 40–8; “Mothering, Feminism and Representation: The Maternal in Melodrama and the Woman's Film from 1910–1940,” in C. Gledhill (ed.), (1987) Home is Where ...
... Theories of Melodrama: A Feminist Perspective,” Women and Performance (1983) 1(1): 40–8; “Mothering, Feminism and Representation: The Maternal in Melodrama and the Woman's Film from 1910–1940,” in C. Gledhill (ed.), (1987) Home is Where ...
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... theories are still central for work on representations, but I am interested in positioning psychoanalytic insights derived from Lacan within a broad framework that includes other theoretical views. In its original conception, the book ...
... theories are still central for work on representations, but I am interested in positioning psychoanalytic insights derived from Lacan within a broad framework that includes other theoretical views. In its original conception, the book ...
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... theories. In the context of ever-increasing “data” available to researchers, it is, in any case, virtually impossible to arrive at a “grand theory.” The need is for phenomena broken down into manageable units within which coherence may ...
... theories. In the context of ever-increasing “data” available to researchers, it is, in any case, virtually impossible to arrive at a “grand theory.” The need is for phenomena broken down into manageable units within which coherence may ...
Conteúdo
WOMENS WRITING MELODRAMA AND FILM | |
THE SACRIFICE PARADIGM Ellen Woods | |
THE PHALLIC MOTHER PARADIGM | |
THE RESISTING MATERNAL WOMANS FILM 193060 Arzners | |
Consumerism science | |
Notes | |
Bibliography | |
Names index | |
Outras edições - Ver todos
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Visualização parcial - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Prévia não disponível - 1992 |
Termos e frases comuns
American argue articulated baby Barbara body Carlyle Carlyle’s century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father female spectator feminine feminism feminist fiction figure film versions film’s focus foetus Freud Freudian gaze gender genre Handmaid’s Tale Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali object Oedipal patriarchal Peola phallic phallus play political popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau sexual social specific sphere Stella Dallas Stowe’s Symbolic terrain unconscious upper-class Voyager Weber woman woman’s Woman’s Film women York