Motherhood and Representation: The Mother in Popular Culture and MelodramaRoutledge, 23 de jul. de 2013 - 268 páginas From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America. |
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... FILM 5. THE MATERNAL MELODRAMA: THE SACRIFICE PARADIGM Ellen Wood's East Lynne and its play and film versions 6. THE MATERNAL MELODRAMA: THE “PHALLIC” MOTHER PARADIGM Now Voyager (1942) and Marnie (1964) 7. THE “RESISTING” TEXT WITHIN ...
... FILM 5. THE MATERNAL MELODRAMA: THE SACRIFICE PARADIGM Ellen Wood's East Lynne and its play and film versions 6. THE MATERNAL MELODRAMA: THE “PHALLIC” MOTHER PARADIGM Now Voyager (1942) and Marnie (1964) 7. THE “RESISTING” TEXT WITHIN ...
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... film at Rutgers University in 1982 through to similar courses at Stony Brook in 1987 and 1988 – have provided ... film and psychoanalysis, for all their help and stimulation over the years of this project. Thanks to Christine Gledhill ...
... film at Rutgers University in 1982 through to similar courses at Stony Brook in 1987 and 1988 – have provided ... film and psychoanalysis, for all their help and stimulation over the years of this project. Thanks to Christine Gledhill ...
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... Film Institute for permission to reproduce the film stills featured in the book. Finally, I want to thank my (then) secretary at the Humanities Institute, Diane Godden, who retyped my MS for a new computer program in 1988; Joe Greco, a ...
... Film Institute for permission to reproduce the film stills featured in the book. Finally, I want to thank my (then) secretary at the Humanities Institute, Diane Godden, who retyped my MS for a new computer program in 1988; Joe Greco, a ...
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... film reception rely on showing how psychoanalytic processes are activated in viewing films. The main body of the text deals with the third sphere, that of mother- representations in select North American texts from 1830 to 1990. I have ...
... film reception rely on showing how psychoanalytic processes are activated in viewing films. The main body of the text deals with the third sphere, that of mother- representations in select North American texts from 1830 to 1990. I have ...
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... film critics on the other hand have focused on melodrama precisely in an attempt to define and differentiate those films ... of film – from 1900 to 1920, say – are particularly bound to nineteenth-century literary and dramatic models, as ...
... film critics on the other hand have focused on melodrama precisely in an attempt to define and differentiate those films ... of film – from 1900 to 1920, say – are particularly bound to nineteenth-century literary and dramatic models, as ...
Conteúdo
WOMENS WRITING MELODRAMA AND FILM | |
THE SACRIFICE PARADIGM Ellen Woods | |
THE PHALLIC MOTHER PARADIGM | |
THE RESISTING MATERNAL WOMANS FILM 193060 Arzners | |
Consumerism science | |
Notes | |
Bibliography | |
Names index | |
Outras edições - Ver todos
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Visualização parcial - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Prévia não disponível - 1992 |
Termos e frases comuns
American argue articulated baby Barbara body Carlyle Carlyle’s century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father female spectator feminine feminism feminist fiction figure film versions film’s focus foetus Freud Freudian gaze gender genre Handmaid’s Tale Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali object Oedipal patriarchal Peola phallic phallus play political popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau sexual social specific sphere Stella Dallas Stowe’s Symbolic terrain unconscious upper-class Voyager Weber woman woman’s Woman’s Film women York