Motherhood and Representation: The Mother in Popular Culture and MelodramaRoutledge, 23 de jul. de 2013 - 268 páginas From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America. |
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The Mother in Popular Culture and Melodrama E. Ann Kaplan. PREFACE. I have dedicated this book to both my mother ... on the assumption that such research not only would contribute to knowledge but also enlighten my own struggles, both as ...
The Mother in Popular Culture and Melodrama E. Ann Kaplan. PREFACE. I have dedicated this book to both my mother ... on the assumption that such research not only would contribute to knowledge but also enlighten my own struggles, both as ...
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... on representations, but I am interested in positioning psychoanalytic insights derived from Lacan within a broad framework that includes other theoretical views. In its original conception, the ... that historical the or real mothers strive ...
... on representations, but I am interested in positioning psychoanalytic insights derived from Lacan within a broad framework that includes other theoretical views. In its original conception, the ... that historical the or real mothers strive ...
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... from 1830 to 1960, with a look at recent developments in the final chapter); second, its linking of nineteenth-century popular literary texts with twentieth-century film; third, its attempts to locate clearly the terrain on which it works,
... from 1830 to 1960, with a look at recent developments in the final chapter); second, its linking of nineteenth-century popular literary texts with twentieth-century film; third, its attempts to locate clearly the terrain on which it works,
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The Mother in Popular Culture and Melodrama E. Ann Kaplan. attempts to locate clearly the terrain on which it works, thereby situating social science research as different from, but orthogonal with, what I am doing; and finally its ...
The Mother in Popular Culture and Melodrama E. Ann Kaplan. attempts to locate clearly the terrain on which it works, thereby situating social science research as different from, but orthogonal with, what I am doing; and finally its ...
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The Mother in Popular Culture and Melodrama E. Ann Kaplan. reading/viewing public, the contexts of production and exhibition, and so on. In order to narrow the project and make possible a coherent tracing of select historical mother ...
The Mother in Popular Culture and Melodrama E. Ann Kaplan. reading/viewing public, the contexts of production and exhibition, and so on. In order to narrow the project and make possible a coherent tracing of select historical mother ...
Conteúdo
WOMENS WRITING MELODRAMA AND FILM | |
THE SACRIFICE PARADIGM Ellen Woods | |
THE PHALLIC MOTHER PARADIGM | |
THE RESISTING MATERNAL WOMANS FILM 193060 Arzners | |
Consumerism science | |
Notes | |
Bibliography | |
Names index | |
Outras edições - Ver todos
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Visualização parcial - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Prévia não disponível - 1992 |
Termos e frases comuns
American argue articulated baby Barbara body Carlyle Carlyle’s century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father female spectator feminine feminism feminist fiction figure film versions film’s focus foetus Freud Freudian gaze gender genre Handmaid’s Tale Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali object Oedipal patriarchal Peola phallic phallus play political popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau sexual social specific sphere Stella Dallas Stowe’s Symbolic terrain unconscious upper-class Voyager Weber woman woman’s Woman’s Film women York