Motherhood and Representation: The Mother in Popular Culture and MelodramaRoutledge, 23 de jul. de 2013 - 268 páginas From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America. |
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... of Sex Research (1990) 27 (3): 409–25; “Female Spectatorship,” in Camera Obscura (special eds Janet Bergstom and Mary Ann Doane) (1990) 21–2: 194–8. Part I History and Theory Discourses 1 Introduction DOI: 10.4324/9781315001999-2.
... of Sex Research (1990) 27 (3): 409–25; “Female Spectatorship,” in Camera Obscura (special eds Janet Bergstom and Mary Ann Doane) (1990) 21–2: 194–8. Part I History and Theory Discourses 1 Introduction DOI: 10.4324/9781315001999-2.
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... female) or in that of an adult (male or female) concerned to attribute all ills to the mother. An absent presence, then. Present but absent. Two scenes in two very different King Vidor movies demonstrate the point: in The Crowd, the ...
... female) or in that of an adult (male or female) concerned to attribute all ills to the mother. An absent presence, then. Present but absent. Two scenes in two very different King Vidor movies demonstrate the point: in The Crowd, the ...
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... female) analysts; and third, the mother in fictional representations who combines the institutionally positioned mother, and the unconscious mother. The fourth mother, who may be called the “real life” mother (the bodily mother) or the ...
... female) analysts; and third, the mother in fictional representations who combines the institutionally positioned mother, and the unconscious mother. The fourth mother, who may be called the “real life” mother (the bodily mother) or the ...
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... female subjectivity, spectatorship and representation. The first section on the “historical” (Chapter 2) outlines the broad historical context for the book; it charts changes in motherhood as a social institution, and in corresponding ...
... female subjectivity, spectatorship and representation. The first section on the “historical” (Chapter 2) outlines the broad historical context for the book; it charts changes in motherhood as a social institution, and in corresponding ...
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... female audience. In searching for the paradigms underlying twentieth-century mother- representations in films made (largely) by men (my main focus in the book), I found myself back in the nineteenth century and in women's writing, in ...
... female audience. In searching for the paradigms underlying twentieth-century mother- representations in films made (largely) by men (my main focus in the book), I found myself back in the nineteenth century and in women's writing, in ...
Conteúdo
WOMENS WRITING MELODRAMA AND FILM | |
THE SACRIFICE PARADIGM Ellen Woods | |
THE PHALLIC MOTHER PARADIGM | |
THE RESISTING MATERNAL WOMANS FILM 193060 Arzners | |
Consumerism science | |
Notes | |
Bibliography | |
Names index | |
Outras edições - Ver todos
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Visualização parcial - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Prévia não disponível - 1992 |
Termos e frases comuns
American argue articulated baby Barbara body Carlyle Carlyle’s century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father female spectator feminine feminism feminist fiction figure film versions film’s focus foetus Freud Freudian gaze gender genre Handmaid’s Tale Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali object Oedipal patriarchal Peola phallic phallus play political popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau sexual social specific sphere Stella Dallas Stowe’s Symbolic terrain unconscious upper-class Voyager Weber woman woman’s Woman’s Film women York