Shakespeare and His ComediesMethuen, 1957 - 207 páginas "The comedies of Shakespeare have received substantially less critical attention than the tragedies or the histories. Dr. Brown's account of the comedies succeeds in isolating the distinctive genre as well as acknowledging the capriciousness and astonishing vitality of invention which Shakespeare brought to it."--Back cover. |
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Página 32
... narrative sources , and in structure his comedies more nearly resembled those of Lyly , Greene , and Peele . But even in these he still used some elements adapted from the intrigue model . The eavesdropping in Love's Labour's Lost , the ...
... narrative sources , and in structure his comedies more nearly resembled those of Lyly , Greene , and Peele . But even in these he still used some elements adapted from the intrigue model . The eavesdropping in Love's Labour's Lost , the ...
Página 33
John Russell Brown. Twelfth Night is exceptional in that its mainly narrative form derives from the comparatively minor narrative ele- ment of an intrigue comedy , Gl'Ingannati . Here Shake- speare started with descriptive dialogue and ...
John Russell Brown. Twelfth Night is exceptional in that its mainly narrative form derives from the comparatively minor narrative ele- ment of an intrigue comedy , Gl'Ingannati . Here Shake- speare started with descriptive dialogue and ...
Página 37
... narrative type Shakespeare conformed to the medieval con- ception of comedy as ' a poem changing a sad beginning ... narrative , or structure for allegorical terms to be appropriate for more than a few isolated moments . And those ...
... narrative type Shakespeare conformed to the medieval con- ception of comedy as ' a poem changing a sad beginning ... narrative , or structure for allegorical terms to be appropriate for more than a few isolated moments . And those ...
Conteúdo
Preface page | 9 |
Experiments in Comedy | 27 |
Loves Wealth and the Judgement of The 451 | 45 |
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accept action actors Adriana All's Antonio appearance Arden audience Bassanio Benedick and Beatrice Bertram Cesario characters Claudio Comedy of Errors comic conclusion contrast critics dance dialogue disorder doth dramatic duke early comedies eyes fairies Falstaff fool generosity give and hazard Helena Hero history-plays human ideal of love's ideas Illyria implicit judgement intrigue comedies Jaques Katharina king last scene Leonato lively Love's Labour's Lost love's order love's truth love's wealth lover's imagination lovers Malvolio Measure for Measure Merchant of Venice Merry Wives Midsummer Night's Dream mind narrative Olivia Orlando Orsino outward beauty Parolles Pedro Petruchio play plot Portia present recognizes relationships Romeo and Juliet Rosalind Sebastian seems Shake Shakespeare Shakespeare's comedies Shakespeare's ideal Shrew Shylock Silvius Sir Toby sonnets speak stage story structure suggested sweet thee theme Theseus thou Touchstone tragedies Troilus true Twelfth Night usury Viola vision wooing words