And leif the flude Exanthus for a quhile, Schowtand on ther gise with clamour and vocis hie; His wavand haris, sum tyme, doing down thring 2 4 His grundin dartis clattering by his syde. 5 Als fresch, als lusty did Eneas ryde; With als gret bewtie in his lordlie face. SLEEP. [From The Aeneid.] Quhat sorow dreis queyne Dido all the nycht, The nycht followis, and euery wery wicht 1 to visit. 9 2 8 3 in good order. 8 dwells among rough making his hair hang thickly down. So. 6 suffers. 7 several. diminishing. 5 grounden. 4 10 fated. For neuir mair may scho sleip a wynk, SPRING. [From the Prologue to the Aeneid, Bk. v.] Glad is the ground of the tender florist grene, The falconer the riche riveir our to flene 5, 3oung folk thaim schurtis with gam, solace, and play; Knychtis delytis to assay sterandR stedis, Quha wald be thrifty courteouris sais few credis ; 11 The 3oung infant first with lauchter delytis one another. 1 6 11 See Virgil, Ecl. 4. 8 restive. 5 fly (his hawks). 9 so many fancies. 10 with difficulty. To knaw his modir, quhen he is litil page; THE TRIBES OF THE DEAD. [From The Aeneid.] During this tyme Eneas gan aduert 2, Within a vaill fer thens closit apert, Quhair stude a wod with sowchand3 bewis schene, And silly saulis, fleis fast, but* fabill, Quhill all the feildis of thar dyn resoundis : THE DESTINY OF ROME. [From The Aeneid.] Anchises gyffis Eneas gud teiching, To gyde the peple ondir his gouerning. Sall hew quyk facis furth of marbyll stane ; Sum wtheris better can thair causis pleid; And sum moir subtel to discrive and prent STEPHEN HAWES. [Of STEPHEN HAWES little is known beyond the facts that he was a native of Suffolk, that he was educated at Oxford, had travelled in France, and was Groom of the Privy Chamber to Henry VII. We can gather also that he was alive in January 1520-21, and that he was dead in 1530. He was the author of several minor poems which are treasured by collectors, but are of no literary value. It is a proof of the carelessness of those who have dealt with Hawes, that they have assigned to him The Temple of Glasse, though Hawes has himself expressly stated (Pastime of Pleasure, canto xiv.) that Lydgate was the author. Hawes' great work is The Pastime of Pleasure, or the Historie of Graunde Amoure and La Belle Pucel, written in or about 1506, and first printed in 1509. It is an allegorical poem describing the education and history of one Grande Amoure, who learns in the Tower of Doctrine and in the Tower of Chivalry those accomplishments which are necessary to constitute a perfect knight worthy of a perfect love-La Belle Pucel. His career through the world is then delineated-his combats with monsters, his strange adventures, his marriage, his death, his fame. The poem is dedicated, with an elaborate apology for its deficiencies, to Henry VII, and terminates with another apology 'unto all Poets' on the same grounds.] Hawes belongs to the Provençal School. His model and master was, as he is constantly reiterating, Lydgate, though he was well acquainted with the works of Chaucer, whose comic vein he occasionally affects, with the verses of Gower, and with the narrative poetry of France and Italy. His poem is elaborately allegorical, though the allegory is not always easy to follow in detail, and is obviously much impeded with extraneous matter. The style has little of the fluency of Lydgate, and none of his vigour ; none of the picturesqueness and brilliance which are characteristic of Chaucer and not less characteristic of Chaucer's Scotch disciples who were Hawes' contemporaries. The narrative, though by no means lacking incident, and by no means unenlivened with beauties both of sentiment and expression, too often stagnates in |