I or. Defcend, for you must be my torch-bearer. Jef. What, muft I hold a candle to my shames? They in themselves, goodfooth, are too, too light. Why, 'tis an office of discovery, love, And I fhould be obfcur'd. Lor. So are you, sweet, Even in the lovely garnish of a boy. But come at once; For the clofe night doth play the run-away, Jef. I will make faft the doors, and gild myself Enter Fefica below. What, art thou come?-On, gentlemen, away; Our mafquing mates by this time for us ftay. [Exit. Enter Anthonio. Anth. Who's there? Gra. Signior Anthonio? Antb. Fie, Gratiano! where are all the reft? 'Tis nine o'clock, our friends all ftay for you:No mafque to night;the wind is come about, Baffanio prefently will go aboard: I have fent twenty out to feek for you. 3 a Gentile, and no Jew.] A jeft rifing from the ambiguity of Gentile, which fignifies both a Heathen, and one well born. JOHNSON. Gra. Gra. I am glad on't; I defire no more delight Than to be under fail, and gone to-night. [Exeunt. SCENE VII. BELMONT. Enter Portia with the Prince of Morocco and both their trains. Por. Go, draw afide the curtains, and discover The feveral cafkets to this noble prince. Now make your choice. [Three cafkets are difcovered. Por. The one of them contains my picture, prince: If you chufe that, then I am yours withal. Mor. Some God direct my judgment ! Let me fee, I will furvey the infcriptions back again; What fays this leaden cafket; Who chufeth me, must give and hazard all be bath. A golden mind ftoops not to fhows of drofs; If thou be'ft rated by thy eftimation, as blunt.] That is, as grofs as the dull metal. JOHNSON. Thou doft deferve enough; and yet enough One of these three contains her heav'nly picture. Is't like that lead contains her? 'twere damnation Was fet in worse than gold. They have in England Lyes all within. Deliver me the key; Here do I chufe, and thrive I as I may ! Por. There take it, prince, and if my form lye there, Then I am yours. [Unlocking the gold cafket. Mor. Mor. O hell! what have we here? A carrion death, within whofe empty eye All that glifters is not gold; Mor. Cold, indeed; and labour loft: 6 To take a tedious leave. Thus lofers part. [Exit. Por. A gentle riddance:-draw the curtains; goLet all of his complexion chufe me fo. 7 [Exeunt. SCENE Gilded wood may worms infold.] In all the old editions this line is written thus: Gilded timber do worms infold. From which Mr. Rowe and all the following editors have made Gilded wood may worms infold. A line not bad in itself, but not fo applicable to the occafion as that which, I believe, Shakespeare wrote. Gilded tombs do worms infold. A tomb is the proper repofitory of a death's-head. JOHNSON. • Your answer had not been inscrol'd ;] Since there is an answer inferol'd or written in every casket, I believe for your we should read this. When the words were written yr and y', the miftake was easy. JOHNSON. 7 Chuft me fo.] The old quarto edition of 1600 has no diftribution of acts, but proceeds from the beginning to the end in an unbroken tenour. This play therefore having been probably divided without authority by the publishers of the first folio, lies open to a new regulation, if any more commodious divifion can be L 4 propofed, SCENE VIII. Changes to Venice. Enter Solarino and Salanio. Sal. Why man, I faw Baffanio under sail; And in their fhip, I am fure, Lorenzo is not. Sal. He came too late, the fhip was under fail: Of double ducats, ftol'n from me by my daughter! Sal. Why, all the boys in Venice follow him, Crying his ftones, his daughter, and his ducats. Sola. Let good Anthonio look he keep his day; Or he fhall pay for this. Sal. Marry, well remember'd. I reafon'd with a Frenchman yefterday; propofed. The flory is itfelf fo wildly incredible, and the changes of the fcene fo frequent and capricious, that the probability of action does not deferve much care; yet it may be proper to obferve, that, by concluding the second at here, time is given for Baffanio's paffage to Belmont. JOHNSON. The |