The Plays and Poems of William Shakspeare: With the Corrections and Illustrations of Various Commentators, Band 1 |
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Seite viii
When Proteus , in the Two Gentlemen of Verona , says to Speed , among many quibbles upon the word sheep , “ Nay , in that you are astray ; ' twere best pound you ! ” what but the very cacoethes of commenting could lead any one to ...
When Proteus , in the Two Gentlemen of Verona , says to Speed , among many quibbles upon the word sheep , “ Nay , in that you are astray ; ' twere best pound you ! ” what but the very cacoethes of commenting could lead any one to ...
Seite xiii
... for that very reason , to put it in the view of those who might be better able to explain it . Thus in Troilus and Cressida , where Nestor says , addressing Hector : a “ And I have seen thee pause , and take ADVERTISEMENT . xiii.
... for that very reason , to put it in the view of those who might be better able to explain it . Thus in Troilus and Cressida , where Nestor says , addressing Hector : a “ And I have seen thee pause , and take ADVERTISEMENT . xiii.
Seite xxvi
... death of the person supposed to be represented ; and then ( as Edmund says in King Lear ) , come pat , like the catastrophe of the old comedy . ' Shakspeare was buried in 1616 ; and in 1708 the first notice of this picture occurs .
... death of the person supposed to be represented ; and then ( as Edmund says in King Lear ) , come pat , like the catastrophe of the old comedy . ' Shakspeare was buried in 1616 ; and in 1708 the first notice of this picture occurs .
Seite xxix
“ It has been customary ( says he ) with not a few authors , to acknowledge small mistakes , that they might escape the suspicion of greater , or , perhaps , to intimate that no greater could be detected .
“ It has been customary ( says he ) with not a few authors , to acknowledge small mistakes , that they might escape the suspicion of greater , or , perhaps , to intimate that no greater could be detected .
Seite xxxii
The following is the remark of Mr. Gifford : “ See also ( he says ) Mr. Steevens's note on those verses . -With pain I have seen it ; and with disgust will the reader learn , that this ' note of Mr. Steevens ' is neither more nor less ...
The following is the remark of Mr. Gifford : “ See also ( he says ) Mr. Steevens's note on those verses . -With pain I have seen it ; and with disgust will the reader learn , that this ' note of Mr. Steevens ' is neither more nor less ...
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Beliebte Passagen
Seite 476 - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
Seite xlvi - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Seite 484 - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
Seite 459 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Seite 319 - Their downy breast; the swan with arched neck, Between her white wings, mantling proudly, rows Her state with oary feet...
Seite 473 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
Seite 251 - To guard a title that was rich before, To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, [s wasteful and ridiculous excess.
Seite 454 - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Seite 502 - This pencil take' (she said), 'whose colours clear Richly paint the vernal year: Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy; Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.
Seite 128 - Newly imprinted and enlarged to almost as much againe as it was, according to the true and perfect Coppie.