An Introduction to Literature, Teil 3Herbert Barrows, Gordon Norton Ray Houghton Mifflin, 1959 - 1331 Seiten This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Seite 709
... fact is we have already discussed symbolism . At this point we have merely added a technical name to the discussion ... fact that it seems from the start to signify something more than its literal self . That symbolic nature is further ...
... fact is we have already discussed symbolism . At this point we have merely added a technical name to the discussion ... fact that it seems from the start to signify something more than its literal self . That symbolic nature is further ...
Seite 769
... facts . It is its own fact . Poetry does , as noted , involve itself with facts , but the poetic essence is so much nearer that of music than it is that of the essay , that to stress facts in poetry is often the quickest way to lose ...
... facts . It is its own fact . Poetry does , as noted , involve itself with facts , but the poetic essence is so much nearer that of music than it is that of the essay , that to stress facts in poetry is often the quickest way to lose ...
Seite 864
... fact many fragments of such images . Our consciousness may perhaps be best visualized as a kind of movie - strip ... fact that such a " picture " can be offered as the equivalent of so large a concept is fundamental not only to the ...
... fact many fragments of such images . Our consciousness may perhaps be best visualized as a kind of movie - strip ... fact that such a " picture " can be offered as the equivalent of so large a concept is fundamental not only to the ...
Inhalt
INTRODUCTORY NOTE | 663 |
CHAPTER TWO A BURBLE | 678 |
FOLK BALLADS | 685 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
adjectives Albatross anapestic Archibald MacLeish ballad beauty Berkeley bird boomlay breath Burns caesura CALIFORNIA LIBRARY catalogue certainly Childe Maurice connotations Copyright dark dead death denotation diction doth dream English example eyes fact fair feel flowers foot fulcrum Hamish hand hath heart heaven iambic images Jabberwocky John Donne Karl Shapiro Keats Kenneth Rexroth language light live look Lord Mariner metaphor metrics monosyllabic moon motion move never night Note o'er passage pause phrase play poet poetic poetry QUESTIONS reader Reprinted by permission rhyme Robert Frost rose round sails scansion seems sense ship silence sing Sir Patrick Spens sleep smile song sort soul sound Squid stanza statement stressed suggestion sweet symbol tell tends thee thing thou thought tone unstressed syllables voice W. B. Yeats W. H. Auden William William Butler Yeats William Carlos Williams wind words