An Introduction to Literature, Teil 3Herbert Barrows, Gordon Norton Ray Houghton Mifflin, 1959 - 1331 Seiten This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Seite 709
... discussion private while releasing the suggestion that they were possessed of pro- found and secret knowledge . Actually , once the alchemist's myserious sym- bols are explained they generally turn out to be nothing more mysteri- ous ...
... discussion private while releasing the suggestion that they were possessed of pro- found and secret knowledge . Actually , once the alchemist's myserious sym- bols are explained they generally turn out to be nothing more mysteri- ous ...
Seite 865
... discussion of imagery can be relatively brief . It can be so because the earlier discussion of symbolism has already introduced one special case of imagery . And it can be so even more be- cause the basically pictorial nature of ...
... discussion of imagery can be relatively brief . It can be so because the earlier discussion of symbolism has already introduced one special case of imagery . And it can be so even more be- cause the basically pictorial nature of ...
Seite 1001
... discussion of the poem to stop here , it would still be apparent that such changes in pace are not only relevant to the " meaning " of the poem , but so inseparably involved in the meaning that there can be no communication of the ...
... discussion of the poem to stop here , it would still be apparent that such changes in pace are not only relevant to the " meaning " of the poem , but so inseparably involved in the meaning that there can be no communication of the ...
Inhalt
INTRODUCTORY NOTE | 663 |
CHAPTER TWO A BURBLE | 678 |
FOLK BALLADS | 685 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
adjectives Albatross anapestic Archibald MacLeish ballad beauty Berkeley bird boomlay breath Burns caesura CALIFORNIA LIBRARY catalogue certainly Childe Maurice connotations Copyright dark dead death denotation diction doth dream English example eyes fact fair feel flowers foot fulcrum Hamish hand hath heart heaven iambic images Jabberwocky John Donne Karl Shapiro Keats Kenneth Rexroth language light live look Lord Mariner metaphor metrics monosyllabic moon motion move never night Note o'er passage pause phrase play poet poetic poetry QUESTIONS reader Reprinted by permission rhyme Robert Frost rose round sails scansion seems sense ship silence sing Sir Patrick Spens sleep smile song sort soul sound Squid stanza statement stressed suggestion sweet symbol tell tends thee thing thou thought tone unstressed syllables voice W. B. Yeats W. H. Auden William William Butler Yeats William Carlos Williams wind words