Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 196
... shots of a single rose framed against the sky , perhaps symbolic of beauty and tenderness , followed by a shot of cattle in the fields , close the film's first segment . The central sequence , composed of 10 shots , introduces new ...
... shots of a single rose framed against the sky , perhaps symbolic of beauty and tenderness , followed by a shot of cattle in the fields , close the film's first segment . The central sequence , composed of 10 shots , introduces new ...
Página 227
... shot " of the lovers , his intended remains unseen , substituted by the water jug she carries on her shoulder . ( What was empty has now been filled . ) The entire sequence is framed by cutaways to sperm - shaped kites dancing in the ...
... shot " of the lovers , his intended remains unseen , substituted by the water jug she carries on her shoulder . ( What was empty has now been filled . ) The entire sequence is framed by cutaways to sperm - shaped kites dancing in the ...
Página 265
... shot silent , since RKO had removed Welles's Technicolor sound crew to the US , and with only a fixed tripod , so Wellesian dollying or travelling shots were out of the question . Nevertheless , such an austere approach to shot ...
... shot silent , since RKO had removed Welles's Technicolor sound crew to the US , and with only a fixed tripod , so Wellesian dollying or travelling shots were out of the question . Nevertheless , such an austere approach to shot ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young