Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 89
... present in the city , nor did they mention the contemporaneous political climate of Arturo Frondizi's failing administration . Elected in 1958 , Frondizi represented the last hope for promoting social cohesion through liberal politics ...
... present in the city , nor did they mention the contemporaneous political climate of Arturo Frondizi's failing administration . Elected in 1958 , Frondizi represented the last hope for promoting social cohesion through liberal politics ...
Página 203
... present at the screening because he was in Bahia filming Barravento , was the first one to call attention to Noronha's documen- tary , given the similarity of their aesthetic postures . According to Paulo Emílio , Aruanda " is almost a ...
... present at the screening because he was in Bahia filming Barravento , was the first one to call attention to Noronha's documen- tary , given the similarity of their aesthetic postures . According to Paulo Emílio , Aruanda " is almost a ...
Página 220
... present , and future reception of Araya . Two temporalities , one pre - industrial and the other proto - industrial , are embedded in Araya . In the former , time like the monumental pyramids of salt and the fulsome clay vessels so ...
... present , and future reception of Araya . Two temporalities , one pre - industrial and the other proto - industrial , are embedded in Araya . In the former , time like the monumental pyramids of salt and the fulsome clay vessels so ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young