Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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... period , different from those which precede or follow ? If so , when does this period start , and when does it end ? Let's begin by looking at some of the foremost historians of Latin American film . Emilio García Riera avoids the ...
... period , different from those which precede or follow ? If so , when does this period start , and when does it end ? Let's begin by looking at some of the foremost historians of Latin American film . Emilio García Riera avoids the ...
Página 32
... period ends by 1947 and the following continues to 1956. In fact , the 1947-56 period corresponds to Peronist intervention and seems to start when Raúl Alejandro Apold be- came the official boss of the film industry . For these authors ...
... period ends by 1947 and the following continues to 1956. In fact , the 1947-56 period corresponds to Peronist intervention and seems to start when Raúl Alejandro Apold be- came the official boss of the film industry . For these authors ...
Página 34
... period , with important molecular transformations going on in discrete and subtle ways , which is what gives this period its charm and complexity . The early thirties are another , analogous period of transition that is still not fully ...
... period , with important molecular transformations going on in discrete and subtle ways , which is what gives this period its charm and complexity . The early thirties are another , analogous period of transition that is still not fully ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young