Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 10
... industrial model had been strongest , experienced only isolated new cinema initiatives . These included Benito ... industry - sponsored Experimen- tal Cinema Contest until 1965 . Reassessing the Legacy of Italian Neo - realism Two ...
... industrial model had been strongest , experienced only isolated new cinema initiatives . These included Benito ... industry - sponsored Experimen- tal Cinema Contest until 1965 . Reassessing the Legacy of Italian Neo - realism Two ...
Página 155
... industrial promotion . As the government of Miguel Alemán ( 1946-1952 ) pursued its private - sector- oriented agenda at ... industry more vulnerable to postwar Hollywood competition than had been the developing prewar movie sector . The ...
... industrial promotion . As the government of Miguel Alemán ( 1946-1952 ) pursued its private - sector- oriented agenda at ... industry more vulnerable to postwar Hollywood competition than had been the developing prewar movie sector . The ...
Página 156
... industrial framework , but also to ideological collaboration between both states and film industries . Working ... industry grew . Just as World War II strengthened the overall transnational and interstate links between Mexico and ...
... industrial framework , but also to ideological collaboration between both states and film industries . Working ... industry grew . Just as World War II strengthened the overall transnational and interstate links between Mexico and ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young