Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 213
... human beings are transformed into viewable objects . ... ... Story , social relations , individuality are all eliminated . What replaces them ? Araya proposes a closed , static , ahistorical world in which everything is infinitely ...
... human beings are transformed into viewable objects . ... ... Story , social relations , individuality are all eliminated . What replaces them ? Araya proposes a closed , static , ahistorical world in which everything is infinitely ...
Página 216
... human condition : " " the painful struggle to make a living . " He finds a " timeless and universal pathos " in the depiction of this " odyssey of physical resistance , " stressing that the film's " denunciation of mindless human ...
... human condition : " " the painful struggle to make a living . " He finds a " timeless and universal pathos " in the depiction of this " odyssey of physical resistance , " stressing that the film's " denunciation of mindless human ...
Página 220
... human endurance , others deplore the erasure of human agency . Whether one reads it as epic - heroic or , conversely , as a melodramatic inscription of imminent danger , the intrusion of industrialized mechanization is manifestly " out ...
... human endurance , others deplore the erasure of human agency . Whether one reads it as epic - heroic or , conversely , as a melodramatic inscription of imminent danger , the intrusion of industrialized mechanization is manifestly " out ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young