Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 48
... final de la " narración interior " . Para evitar una interpretación que configurase la historia en relación con la reali- dad social , política o económica del momento , se arrojaba la acción al pasa- do y habría que suponer que ...
... final de la " narración interior " . Para evitar una interpretación que configurase la historia en relación con la reali- dad social , política o económica del momento , se arrojaba la acción al pasa- do y habría que suponer que ...
Página 98
... final hysteri- cal collapse takes places before the typewriter on the counter in the police station - a typewriter overtly foregrounded in both sound and image . The writer , the intellectual , emerges , at the end of El jefe , the ...
... final hysteri- cal collapse takes places before the typewriter on the counter in the police station - a typewriter overtly foregrounded in both sound and image . The writer , the intellectual , emerges , at the end of El jefe , the ...
Página 115
... final shots , pregnant with his- toric promise and meaning , orchestrate multiple reconciliations : between Rodolfo and Sinhá Moça , between Sinhá Moça and her now repentant father , and finally between black and white , as Rodolfo and ...
... final shots , pregnant with his- toric promise and meaning , orchestrate multiple reconciliations : between Rodolfo and Sinhá Moça , between Sinhá Moça and her now repentant father , and finally between black and white , as Rodolfo and ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young