Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 78
... called villas miserias in areas between rail- road lines and on the border between vacant state lands and residential neighborhoods . Other immigrants lived in old mansions which had been converted into individual apartments called ...
... called villas miserias in areas between rail- road lines and on the border between vacant state lands and residential neighborhoods . Other immigrants lived in old mansions which had been converted into individual apartments called ...
Página 117
... called for films made by Brazilians only , as if authenticity were a function of passport and identity card . Their emphasis was on thematic content ; they pleaded for more films about drought in the Northeast , about poverty in the ...
... called for films made by Brazilians only , as if authenticity were a function of passport and identity card . Their emphasis was on thematic content ; they pleaded for more films about drought in the Northeast , about poverty in the ...
Página 156
... called Golden Age ) . " These limits , however , were imposed less by the dynamics of capitalist competition than by those of collaboration . Moreover , economic structures conformed to broader political ones : the convergence of the ...
... called Golden Age ) . " These limits , however , were imposed less by the dynamics of capitalist competition than by those of collaboration . Moreover , economic structures conformed to broader political ones : the convergence of the ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young