Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 210
... Araya as " alien to the historical and cultural process of Venezuela . " His high- ly critical essay concluded that Araya's deferred national exhibition meant that " it lost its chance to serve as point of reference for the national ...
... Araya as " alien to the historical and cultural process of Venezuela . " His high- ly critical essay concluded that Araya's deferred national exhibition meant that " it lost its chance to serve as point of reference for the national ...
Página 219
... Araya . " On this earth nothing grows , " another voice will intone . And this will be the door through which you will enter into a perfect film and remain in it ( or it in you ) . ... Not for an instant in Araya will that counterpoint ...
... Araya . " On this earth nothing grows , " another voice will intone . And this will be the door through which you will enter into a perfect film and remain in it ( or it in you ) . ... Not for an instant in Araya will that counterpoint ...
Página 222
... Araya " a great work " and expressed confidence that " sooner or later " the film - loving public would come to share his opinion . For Marcel Martin , Araya was " the first authentically Venezuelan film " and as such " deserves to ...
... Araya " a great work " and expressed confidence that " sooner or later " the film - loving public would come to share his opinion . For Marcel Martin , Araya was " the first authentically Venezuelan film " and as such " deserves to ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 6 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor años Araya Argentina aunque begins Brazil Brazilian Buenos Aires Buñuel called Cangaceiro Carlos casa characters Christensen cinema Cinema Novo comedia como critics Cruz cuando cultural después día directed director documentary early el cine época example expression figure film film's filmmakers final foreign García había historia Hollywood hombre human important industry Jorge José later Latin American Luis María más Mauro melodrama Mexican Mexico movement mujer mundo notes nuevo obra original Otelo para Paulo película period pero personajes played political popular position present Press production relations Rio de Janeiro Santos sequence shot social sólo space story studio tiempo tion Torre Nilsson transformation True United University urban vida Welles's York young