Spreading Misandry: The Teaching of Contempt for Men in Popular CultureMcGill-Queen's Press - MQUP, 16.10.2001 - 360 Seiten Nathanson and Young urge us to rethink prevalent assumptions about men that result in profoundly disturbing stereotypes that foster contempt. Spreading Misandry breaks new ground by discussing misandry in moral terms rather than purely psychological or sociological ones and by criticizing not only ideological feminism but other ideologies on both the left and the right. |
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... cinematic conventions, be familiar with the imagery, and so forth. To put this another way, popular culture is not merely the opposite of elite culture: the two are related in ways that are much too ambiguous and too fluid for so stark ...
... cinematic conventions, be familiar with the imagery, and so forth. To put this another way, popular culture is not merely the opposite of elite culture: the two are related in ways that are much too ambiguous and too fluid for so stark ...
Seite 12
... , 1994, and 1999.) Misandry could be found also in every conventional cinematic genre, to the extent that a case could be made for the existence of a new genre, the misandric one, that cut across the lines of 12 Spreading Misandry.
... , 1994, and 1999.) Misandry could be found also in every conventional cinematic genre, to the extent that a case could be made for the existence of a new genre, the misandric one, that cut across the lines of 12 Spreading Misandry.
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... cinematic genres.) Here is a brief analysis of what could be considered a prototype: The Color Purple (Steven Spielberg, 1985). Though not necessarily the first of its kind, this movie can now be seen as a kind of cinematic watershed ...
... cinematic genres.) Here is a brief analysis of what could be considered a prototype: The Color Purple (Steven Spielberg, 1985). Though not necessarily the first of its kind, this movie can now be seen as a kind of cinematic watershed ...
Seite 16
... cinematic artistry is indicated by innovation rather than cliché and subtlety rather than blatancy. This movie is anything but innovative or subtle. It is more like a black version of Cinderella. Think of these scenes from the first ...
... cinematic artistry is indicated by innovation rather than cliché and subtlety rather than blatancy. This movie is anything but innovative or subtle. It is more like a black version of Cinderella. Think of these scenes from the first ...
Seite 17
... cinematic myth that continues to flourish in movie houses across the land. In early 2000, the director, Steven Spielberg, was awarded the Image Award of the National Association for the Advancement of Colored People. Our point in this ...
... cinematic myth that continues to flourish in movie houses across the land. In early 2000, the director, Steven Spielberg, was awarded the Image Award of the National Association for the Advancement of Colored People. Our point in this ...
Inhalt
3 | |
6 | |
20 | |
Separate but Unequal | 49 |
Women Alone Together | 79 |
A History of Their Own | 108 |
From Bad Boys to Beasts | 137 |
The Devil Is a Man | 168 |
Conclusion | 234 |
QuasiMisandric Movies | 253 |
Film Theory and Ideological Feminism | 289 |
Into the TwentyFirst Century | 296 |
Index | 351 |
Andere Ausgaben - Alle anzeigen
Spreading Misandry: The Teaching of Contempt for Men in Popular Culture Paul Nathanson,Katherine K. Young Eingeschränkte Leseprobe - 2001 |
Spreading Misandry: The Teaching of Contempt for Men in Popular Culture Paul Nathanson,Katherine K. Young Keine Leseprobe verfügbar - 2006 |
Spreading Misandry: The Teaching of Contempt for Men in Popular Culture Paul Nathanson,Katherine K. Young Keine Leseprobe verfügbar - 2001 |
Häufige Begriffe und Wortgruppen
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