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PAGE STORY OF PYGMALION, "THE HEART DESIRES,” BY SIR EDWARD BURNEJONES

25 Photo: Fredk. Hollyer, London.

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HOMER SINGING HIS POEMS
From a drawing by Paul Chenavard in the Museum, Lyons. Photo: Braun

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PREPARING FOR THE SIEGE OF TROY

From a drawing by Paul Chenavard in the Museum, Lyons. Photo: Braun

44

"THE WINE OF CIRCE” (Coloured Illustration)

From the painting by Sir Edward Burne-Jones. Reproduced by per

mission of Frederick Hollyer.

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GREEKS AND TROJANS OUTSIDE THE WALLS OF TROY

From a drawing by Paul Chenavard in the Museum, Lyons. Photo: Braun

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THE FORGE OF VULCAN,” BY VELASQUEZ

Photo: Rischgitz Collection. "PENELOPE AND HER SUITORS,” BY J. W. WATERHOUSE

Reproduced by special permission of the Director of the Aberdeen Art

Gallery “CAPTIVE ANDROMACHE,” BY LORD LEIGHTON .

From the painting in the Manchester Art Gallery Photo: Rischgitz

Collection.

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“ULYSSES IN PHÆACIA," RUBENS.

Photo: Rischgitz Collection. “CIRCE AND THE COMPANIONS OF Ulysses” by BRITON RIVIÈRE, R.A.

Photo: Rischgitz Collection. “THE JUDGMENT OF Paris,” by RUBENS

National Gallery, London. Photo: Rischgitz Collection.
GEORGE CHAPMAN.

Photo: Rischgitz Collection.
HOMER, “THE GREAT BLIND FATHER OF Song,” by HARRY BATES

Photo: W. A. Mansell & Co.

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“THE SCAPEGOAT,” by W. HOLMAN HUNT

Photo: W. A. Mansell & Co.

FACING

PAGE

Moses: PROPHET, LAWGIVER, STATESMAN, AS CONCEIVED BY MICHAEL

ANGELO

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"Moses BREAKING THE TABLES OF THE LAW,” BY REMBRANDT VAN RYN

Photo: Braun, Clé nent & Co.

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"AND THERE WAS A GREAT Cry in Egypt,” by Arthur HACKER, A.R.A.

Reproduced by special permission.

78

"JOSEPH INTERPRETS PHARAOH's DREAMS,” by HAROLD SPEED

” BY Reproduced by permission of the artist.

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A PAGE OF THE Codex Sinaiticus

Reproduced by kind permission of the British and Foreign Bible Society

David, THE GREATEST OF THE HEBREW KINGS .

82

ISAIAH: THE STATESMAN AND

PROPHET ROUND WHOSE NAME
THE FINEST RELIGIOUS LITERATURE OF JUDAISM WAS GATHERED
From Michael Angelo's frescoes in the Sistine Chapel at the Vatican.

Photo: Anderson.

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JEREMIAH: PERHAPS THE FINEST EXAMPLE IN THE OLD TESTAMENT OF A
CHARACTER DISCIPLINED AND STRENGTHENED BY SUFFERING
From Michael Angelo's frescoes in the Sistine Chapel at the Vatican.

Photo: Anderson.

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EZEKIEL: The Mystic AND Priest Who, MORE THAN ANY OTHER MAN,
MADE Post-EXILIC JUDAISM

From Michael Angelo's frescoes in the Sistine Chapel at the Vatican.

Photo: Anderson.

88

“RUTH AND NAOMI,” BY P. H. CALDERON

From the picture in the Walker Art Gallery, Liverpool. Reproduced by

permission of the Liverpool Corporation.

“TOBIT WITH THE ARCHANGEL,” BY BOTTICELLI

89

CHRIST, AS IMAGINED BY LEONARDO DA VINCI

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“CHRIST WASHING PETER'S FEET,” by FORD Madox BROWN .

Photo: W. A. Mansell & Co.

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THE CONDEMNATION of Jesus (Coloured Illustration).

From a painting by Antonio Ciseri.

98

“Jesus Mourns OVER THE City,” by Paul H. FLANDRIN

Photo: Braun, Clément & Co.

Masaccio's FRESCO OF ST. PETER VISITED IN PRISON BY ST. PAUL.

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BISHOP WESTCOTT

Photo: Elliott & Fry, Ltd.

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TINDALE's New TESTAMENT, THE FIRST PRINTED TRANSLATION IN THE
ENGLISH LANGUAGE
Reproduced by kind permission of the British and Foreign Bible Society.

From a specimen in their Library.

116

“THE DAWN OF THE REFORMATION”

After W. T. Jeames, R.A. Photo: Rischgitz Collection.

117

READING THE BIBLE IN THE CRYPT OF OLD ST. PAUL'S CATHEDRAL

After Sir George Harvey. Photo: Rischgitz Collection.

120

"St. Paul PREACHING AT ATHENS,” by RAPHAEL .

The Vatican, Rome. Photo: Anderson.

121

"Isaac BLESSING JACOB,” BY MURILLO

The Hermitage, St. Petersburg. Photo: W. A. Mansell & Co.

122

“JOB in His AFFLICTION," By Leon Bonnat.

The Luxembourg, Paris. Photo: Neurdein.

123

“SAMSON AND DELILAH,” BY SOLOMON J. Solomon, R.A.

Reproduced by permission from the original painting in the possession of

the Liverpool Corporation.

124

HAGAR AND ISHMAEL (Coloured Illustration).

Photo: W. A. Mansell & Co.

126

“THE MEETING OF JACOB AND RACHEL,” BY PACECCO DE Rosa .

National Museum, Naples. Photo: Brogi.

127

“THE TRIUMPH OF DAVID,” by Matteo RossELLI

The Louvre, Paris. Photo: Neurdein.

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“THE SACRIFICE OF ABRAHAM,” by REMBRANDT

The Hermitage, St. Petersburg. Photo: Hanfstaengl.

FACING

PAGE

131

“THE SUPPER AT EMMAUS,” BY REMBRANDT VAN RYN

The Louvre, Paris. Photo: Alinari.

BRAHMA, THE CREATOR; VISHNU, THE PRESERVER; Siva, THE DESTROYER

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BUDDHA PREACHING

Statue discovered at Sarnath, 1904. Photo: Rischgitz Collection.
THE BEAUTIFUL MEMORIAL Arch ("HONOURABLE PORTAL") LEADING TO

THE TOMB OF CONFUCIUS

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CONFUCIUS, THE CELEBRATED CHINESE PhiloSOPHER, 551 B.C.

Photo: Rischgitz Collection.

LAO-TZE.

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By permission of the Open Court Publishing Co.

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A PARSEE TOWER OF SILENCE, BOMBAY .

Photo: H. J. Shepstone.

THE MOSQUE OF Sidi OKBA: THE Most ANCIENT MOHAMMEDAN BUILDING

IN AFRICA .

156

“N. D." Photo.

157

BIRD's-EYE VIEW OF MECCA, THE RELIGIOUS CAPITAL OF ISLAM

Photo: H. J. Shepstone.

“HERCULES WRESTLING WITH DEATH FOR THE BODY OF ALCESTIS,” BY LORD LEIGHTON

By permission of the Fine Art Society, Ltd.

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HYLAS AND THE NYMPHS.

From the painting by J. W. Waterhouse, in the Manchester Art Gallery.

By permission of the Manchester Corporation.

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173

“CASTOR AND Pollux CARRYING OFF TALAIRA AND PHæBE, DAUGHTERS OF LEUCIPPUS,” by RUBENS.

Munich. Photo: Rischgitz Collection. “THE RETURN OF PERSEPHONE” (Coloured Illustration)

From the painting by Lord Leighton, in the Leeds Art Gallery.

174

“PERSEUS,

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BY CANOVA .
The Vatican. Photo: Rischgitz Collection.

176

JUPITER

The Vatican. Photo: Rischgitz Collection.

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“ECHO AND Narcissus,” BY J. W. WATERHOUSE

Walker Art Gallery, Liverpool Reproduced by permission of the Cor

poration of Liverpool.

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THE

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“AN AUDIENCE IN ATHENS, DURING THE REPRESENTATION OF AGAMEMNON,” by Sir W. B. RichMOND, R.A.

Reproduced by permission of the Corporation of Birmingham. AMPHITHEATRE AT SYRACUSE IN SICILY, ONE OF THE Most PERFECT Ruins OF A GREEK THEATRE IN EXISTENCE .

Photo: Brogi.

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COMIC ACTORS. ROMAN ANTIQUITIES

Photo: Rischgitz Collection.

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