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These leave the sense, their learning to display,
And those explain the meaning quite away.

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You then, whose judgment the right course would steer, Know well each ancient's proper character;

His fable, subject, scope in every page;
Religion, country, genius of his age;
Without all these at once before your eyes,
Cavil you may, but never criticise.

Be Homer's works your study and delight,
Read them by day, and meditate by night;

130

Thence form your judgment, thence your maxims bring,
And trace the Muses upward to their spring.
Still with itself compared, his text peruse;
And let your comment be the Mantuan Muse.
When first young Maro in his boundless mind,
A work t' outlast immortal Rome design'd,
Perhaps he seem'd above the critic's law,
And but from Nature's fountains scorn'd to draw:
But when t'examine every part he came,
Nature and Homer were, he found, the same.
Convinced, amazed, he checks the bold design,
And rules as strict his labour'd work confine,
As if the Stagyrite1 o'erlook'd each line.
Learn hence for ancient rules a just esteem;
To copy nature is to copy them.
Some beauties yet no precepts can declare,
For there's a happiness as well as care.

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140

And sacred Homer yet been unprofaned.
None e'er had thought his comprehensive mind
To modern customs, modern rules confined;
Who for all ages writ, and all mankind.

VER. 130, 131:

When first young Maro sung of kings and wars,
Ere warning Phoebus touch'd his trembling ears.

Music resembles poetry, in each

Are nameless graces which no methods teach,
And which a master-hand alone can reach.

If, where the rules not far enough extend,
(Since rules were made but to promote their end)
Some lucky license answer to the full

The intent proposed, that license is a rule;
Thus Pegasus, a nearer way to take,
May boldly deviate from the common track;
Great wits sometimes may gloriously offend,
And rise to faults true critics dare not mend,
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of art,
Which, without passing through the judgment, gains
The heart, and all its end at once attains.

In prospects thus, some objects please our eyes,
Which out of nature's common order rise,
The shapeless rock, or hanging precipice.

But though the ancients thus their rules invade,
(As kings dispense with laws themselves have made)
Moderns, beware! or if you must offend
Against the precept, ne'er transgress its end;
Let it be seldom, and compell'd by need,
And have at least their precedent to plead.
The critic else proceeds without remorse,
Seizes your fame, and puts his laws in force.

I know there are, to whose presumptuous thoughts,
Those freer beauties, even in them, seem faults.
Some figures monstrous and misshaped appear,
Consider'd singly, or beheld too near,

Which, but proportion'd to their light, or place,
Due distance reconciles to form and grace.
A prudent chief not always must display
His powers in equal ranks, and fair array,

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But with the occasion and the place comply,
Conceal his force, nay, seem sometimes to fly.
Those oft are stratagems which errors seem,
Nor is it Homer nods, but we that dream.

Still green with bays each ancient altar stands,
Above the reach of sacrilegious hands;

Secure from flames, from envy's fiercer rage,
Destructive war, and all-involving age.

See from each clime the learn'd their incense bring!
Hear in all tongues consenting pæans ring!

In praise so just let every voice be join'd,
And fill the general chorus of mankind.

Hail, Bards triumphant ! born in happier days;
Immortal heirs of universal praise!

Whose honours with increase of ages grow,
As streams roll down, enlarging as they flow;
Nations unborn your mighty names shall sound,
And worlds applaud that must not yet be found!
Oh may some spark of your celestial fire,
The last, the meanest of your sons inspire,
(That on weak wings, from far, pursues your flights,
Glows while he reads, but trembles as he writes)
To teach vain wits a science little known,
T'admire superior sense, and doubt their own!

PART SECOND.

Of all the causes which conspire to blind
Man's erring judgment, and misguide the mind,
What the weak head with strongest bias rules,
Is PRIDE, the never-failing vice of fools.
Whatever Nature has in worth denied,
She gives in large recruits of needless pride;
For as in bodies, thus in souls, we find

What wants in blood and spirits, swell'd with wind:

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Pride, where wit fails, steps in to our defence,
And fills up all the mighty void of sense:
If once right reason drives that cloud away,
Truth breaks upon us with resistless day.
Trust not yourself; but your defects to know,
Make use of every friend-and every foe.
A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.

Fired at first sight with what the Muse imparts,
In fearless youth we tempt the heights of arts,
While from the bounded level of our mind,
Short views we take, nor see the lengths behind;
But, more advanced, behold with strange surprise,
New distant scenes of endless science rise !
So, pleased at first the towering Alps we try,
Mount o'er the vales, and seem to tread the sky,
The eternal snows appear already past,

And the first clouds and mountains seem the last :
But, those attain'd, we tremble to survey
The growing labours of the lengthen'd way,
The increasing prospect tires our wandering eyes,
Hills peep o'er hills, and Alps on Alps arise!

A perfect judge will read each work of wit
With the same spirit that its author writ:
Survey the WHOLE, nor seek slight faults to find
Where nature moves, and rapture warms the mind;
Nor lose, for that malignant dull delight,
The generous pleasure to be charm'd with wit.

VER. 225-228:

VARIATIONS.

So pleased at first the towering Alps to try,
Fill'd with ideas of fair Italy,

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The traveller beholds with cheerful eyes
The lessening vales, and seems to tread the

skies.

But in such lays as neither ebb nor flow,
Correctly cold, and regularly low,

That, shunning faults, one quiet tenor keep,
We cannot blame indeed-but we may sleep.
In wit, as nature, what affects our hearts
Is not the exactness of peculiar parts;
"Tis not a lip, or eye, we beauty call,
But the joint force and full result of all.

Thus when we view some well-proportion'd dome,
(The world's just wonder, and even thine, O Rome!)
No single parts unequally surprise,

All comes united to th' admiring eyes;

No monstrous height, or breadth, or length appear ;
The whole at once is bold, and regular.

Whoever thinks a faultless piece to see,

Thinks what ne'er was, nor is, nor e'er shall be.
In every work regard the writer's end,

Since none can compass more than they intend;
And if the means be just, the conduct true,
Applause, in spite of trivial faults, is due.
As men of breeding, sometimes men of wit,
To avoid great errors, must the less commit:
Neglect the rules each verbal critic lays,
For not to know some trifles is a praise.
Most critics, fond of some subservient art,
Still make the whole depend upon a part:
They talk of principles, but notions prize,
And all to one loved folly sacrifice.

Once on a time, La Mancha's knight, they say,
A certain bard encountering on the way,
Discoursed in terms as just, with looks as sage,

As e'er could Dennis, of the Grecian stage;

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'La Mancha's knight:' taken from the spurious second part of 'Don Quixote.'

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