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ANTHONY BROWNE,

VISCOUNT MONTAGUE,

[GRANDSON and successor to Anthony, first lord viscount Montague, from whose good example, says Camden, he no ways degenerated 3. In 1591 he took to wife Jane, daughter of Thomas Sackville, lord Buckhurst and earl of Dorset ; and the year after succeeded both his father and grandfather in their estates and honour, being then in the twentieth year of his age. His lordship died on the 23d of October 16294; leaving issue one son and six daughters.

"A Book of Orders and Rules, established for the better Direction and Government of his Household and Family; together with the several Duties and Charges appertaining to his Officers and other Servants, 1595," by this peer, is said to be still extant in manuscript. Lord Orford appears to have seen it; for he represents it as "a collection of forms and ceremonies, and a ridiculous piece of mimicry of royal grandeur 5." His lordship, however, must have known that such salutary codes of domestic regulation were by no means unusual in the mansions of our nobility, and that they extended even to the dwellings of country gentlemen.

• Vid. p. 40, supra.
Hist. of Eliz. p. 468.

• Dugdale and Collins

See Works, vol. i. p. 462.

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Hence, in the Nugæ Antiquæ, we meet with "Orders for household Servantes," first devised by John Harrington, esq. in 1566, and renewed by his son in 1592, that son being then high sheriff of the county of Somerset.]

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Pub June 1.1803, by Jr, Satt, 23, S.Martins Court, Leicester Square

WILLIAM HERBERT,

EARL OF PEMBROKE.

His character is not only one of the most amiable in lord Clarendon's History, but is one of the best drawn2; not being marked with any strong lines, it distinguishes the delicacy of that happy pencil, to which the real pencil must yield of the renowned portrait-painter of that age.Vandyke little thought, when he drew sir Edward Hyde, that a greater master than himself was sitting to him. They had indeed great resemblance in their manners; each copied nature faithfully. Vandyke's men are not all of exact height and symmetry, of equal corpulence; his women are not Madonnas or Venuses; the likeness seems to have been studied in all, the character in many: his dresses are those of the times. The historian's fidelity is as remarkable; he represents the folds and plaits, the windings and turnings of each character he draws; and though he varies the lights and shades as would best produce the effect he designs, yet his colours are never those of imagination, nor dis

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